The Revenge of Yukinojo, Part 3: Sword of Revenge

In Tensho 9, as Oda Nobunaga nears the unification of Japan, he assigns trusted generals to conquer remaining regions. Meanwhile, a peasant farmer named Sahei, resembling Nobunaga, is chosen by Hideyoshi and Sen no Rikyu to act as Nobunaga’s shadow. Furious at the idea of a double, Nobunaga confronts Sahei, who courageously performs the "Atsumori" dance, impressing Nobunaga enough to accept him as his Kagemusha. Sahei’s first test as the shadow warrior comes at a memorial service for the Oda family.

Police detective Heiji is assigned to catch the masked Maboroshi gang of robbers who have terrorized all of Edo, leaving few clues as to their leader's identity.

In the turbulent last days of the Edo period, Kawai Tsugunosuke, a Japanese samurai serving the Makino clan of Nagaoka, dreamt of independence from the restraints of vassalship. Despite his progressive views and his desire for his estate to remain neutral during the Boshin Civil War, he was bound by loyalty and duty to the clan and was compelled to choose sides.

In the 15th year of the Genroku era (1688), the world praised the 47 ronin who avenged the death of their master Asano Takumi-no-kami. Shogun Tsunayoshi, who ruled at that time, experienced difficulties in what punishment to impose on the soldiers. As a result, it was decided to sentence them to seppuk (ritual suicide).

Yasube Nakayama left the clan and lives in Edo. One day, Yasubei visits his uncle Rokuroemon Kanno to borrow money from a moneylender in the amount of 13 ryo in order to save Oteru, the daughter of a merchant. However, the next day, Rokuroemon was killed in a fight by the Murakami brothers. Yasubei rushed to the scene, took revenge and became the husband of Miya, the daughter of Horibe Yahei.

This is one of the many films based on the legend of Chuji Kunisada, a wandering gambler and a defender of the weak in the Edo period. In other words, he was the Japanese Robin Hood. In this film Kunisada (Chiezo Kataoka) arrives to a small town terrorized by an evil gang. He insists that he is not Kunisada, as the word is Kunisada has been executed, but of course the audience know better. Sonny Chiba plays an unusual supporting role as a helpless young man unable to defend himself from the gangsters. He does, however, get to play taiko drums and dance with Junko Fuji (who makes her film debut here). Chiba's father, an old judge who helps Kunisada, is played by Takashi Shimura. The film hardly anything exceptional, but it's a pretty decent jidai geki / yakuza drama.

Seppuku Day 17 Ako ronins, including Kuranosuke Oishi, who were entrusted to the Hosokawa family, and the events of the two days before are depicted as a tragic romance between one of the ronins, Jurozaemon Isogai, and Omino. An adaptation of Seika Mayama play "Genroku Chusingura, the Last Day of Oishi", which tells about the torments of life and death of samurai living in feudal times.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

The man is chased by losing the beauty and preciousness of love and the foundation of life without overcoming the hardship of life.

Fifth movie in the Hissatsu (Sure Death!) Series. At the behest of a corrupt bureaucrat, a mysterious band of murderers wage a bloody battle against three deadly assassins.

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the trapped travelers.

Chushingura has been made into a movie several times before, but this time it will be presented in a widescreen version with all natural colors and a new look. Written by Masato Ide and directed by Tatsuo Osone. This is a magnificent scroll of images that depicts on a grand scale the triumph of the Genroku era that shook the citizens of Edo, the peaceful capital of Japan. The top stars of the film, shinpa, shingeki, and kabuki worlds at the time of production were lavishly cast, and a huge budget was invested to create a large set for this highly acclaimed and moving epic.

Kanichiro Yoshimura is a Samurai and Family man who can no longer support his wife and children on the the low pay he receives from his small town clan, he is forced by the love for his family to leave for the city in search of higher pay to support them.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

Masked avenger Kurama Tengu and his young sidekick try to stop a mysterious adversary from assassinating a group of young warriors who want to bring down the Shogunate...

Tatsuya Nakadai, the world’s greatest living actor, returns to the screen in a brilliant adaptation of a story by novelist Shuhei Fujisawa. A traveling gambler known as “Funeral Uno” he is now 86 years old and returning to his hometown for the first time in 30 years. Partly told in flashbacks, he is forced to face his lifelong nemesis, Boss Kyuzo, a vile yakuza portrayed by another superstar of samurai cinema, Atsuo Nakamura! Before the two old gamblers can settle a 30-year-old score they must put their lives on the line in a game of dice that can only lead to a bloody sword duel the likes of which has never before been seen! Superb performances all around in a film loaded with surprises and exciting swordplay!

The background to and depiction of a watershed battle in Japanese history, at Sekigahara in 1600, when Tokugawa Ieyasu's Army of the East defeated the Army of the West of Ishida Mitsunari. The story includes the intrigues and shifting loyalties of the various retainers, family members, and samurai.

In the mountainous region of Koshu, Taikahara, there was an intense power struggle between the prominent families, Tamaki and Kakukura. Facing the steward of Kakukura, Kurokawa Senjiro, was Tamaki Daisaburo, who was skilled with a handgun. Daisaburo had granted protection to the charcoal maker, Miyoshi, safeguarding a few mountains passed down from their ancestors. Daisaburo's elder brother, Iori, who had completed his training in Edo, saved Kakukura's only daughter, Koyumi, on his way back home. However, while Daisaburo rushed to Iori's aid after Koyumi was attacked by Kurokawa and his men, their family home was set ablaze.