The Split-Up

The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

Eight-year-old Kevin McCallister makes the most of the situation after his family unwittingly leaves him behind when they go on Christmas vacation. When thieves try to break into his home, he puts up a fight like no other.

Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.

War journalist Paul Prior returns to his New Zealand hometown after his father’s death, rekindling strained relationships with his brother and memories of a troubled past. He befriends Celia, a curious and aspiring writer, who shares a fascination with his world. When Celia mysteriously disappears, Paul becomes the prime suspect, forcing him to confront buried secrets and uncover the dark truths of his family and community.

Manu has been incarcerated for a year in a prison in Marseille. Back in Nantes, his hometown, he finds his friends and family that he left overnight. How will he reconnect, find the bonds that united him with these people whose lives have continued without him?

The events take place in a fantasy framework around a disassembled family whose members only care about money, a creature from the planet Mercury comes to it that meets the requests of each individual for the family individually on the condition that he is repaired and his family is circled to become an ideal family to follow.

The three friends Ertan, Kemal and Mehdi live in Kiel. They are foreigners, "Kanaks", as they proudly call themselves. For them, this term is an expression of their attitude to life. The trio keeps their heads above water with small-time crooks, but over time they are drawn deeper and deeper into a maelstrom of violence and crime. On a whim, Erkan acts as the protector of two prostitutes and makes enemies of two unscrupulous pimps. After a failed robbery, Ertan ends up in prison for a short time and Kemal is deported to Turkey. However, the two proud "Kanaks" don't let this get them down, on the contrary: together, the friends now want to build a drug air bridge between Istanbul and Germany. But the dream of quick money ends in death and grief for Kemal and Ertan.

Based on the popular Nickelodeon TV series Rugrats, this is the first full-length feature animated movie to star the little tots. It's the story of diaper-clad kids, told from a baby's point- of-view, and they were one of the hottest-selling toy franchises of the late '90s.

Kaiyethum Doorath movie tells a flashback when Sachin (Shanu) is on his way to attend his lover's Sushma (Nikitha) marriage as he tells his past to the co-passengers on a ferryboat who gets hooked on to his love story. What happens at the marriage forms the interesting twist in this love story.

15 years ago, Luiza decided to make a fresh start in Spain. She left her 3-year-old daughter Cristina in the care of her relatives and took off. When she returns to Romania, the woman learns some shocking truths that were kept hidden from her: Cristina ran away from home, is a drug addict and has a 2-year-old girl who lives in an orphanage. Overwhelmed by guilt, Luiza attempts to save her daughter

The loving and nurturing Mariel marries Edward after his first wife abandons him and their three children. Mariel strives to win the acceptance and affection of her new stepchildren, even as she tries to define her role in the family.

Finally summer vacation. Teenager Mahmoud wants a relaxing summer when Uncle Ji comes to visit from Pakistan. He has to be responsible for being his Oslo guide, and little brother Ali has a secret that turns his whole life upside down.

Return Home

In a north Indian village, a family reunites at their ancestral home to celebrate a new birth in the family. It’s a joyous, carefree occasion. Over the next two decades, through festivals and feasts, births and deaths, the film observes one house as it ages and falls to neglect.

Two friends are looking to earn easy money by gathering people to help them deposit a large sum of money in a fixed term of seven days, to live on the interests, which are higher the greater the amount deposited. This has immediate consequences on the lifestyle of the characters, who are increasingly ambitious. Portrait of the Argentine middle class in full hyperinflation, when financial speculation was the order of the day by the man in the street.

Ned Kendall is asked to return to the remote and isolated family home by his sister, to say goodbye to his father who is dying. Ned also brings his young aspiring actress fiancee who struggles with the isolation. When home he starts having memories of his childhood many involving his beautiful twin sister and his older brother. These memories awaken long-buried secrets from the family's past.

Eun-seo struggles repeatedly to find her own place. Her father Jin-cheol lives alone in a house where his family has left. Eun-seo unexpectedly returns her childhood home to live with her father. There, she faces traces of her family she had forgotten.

A film about the divorce decision and its impact on the children.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.