I Know That Voice

Federico Fellini died on October 31st, 1993. Thirty years later, he is still considered as one of the most irreverant moviemaker in the history of cinema. Through a long-previously-unseen interview, directed by Jean-Christophe Rosé in 1981, through extracts of his films and through behind-the-scenes, this documentary draws an intimate portrait of Fellini by himself.

A fairy tale about communism, social-democracy, and capitalism. (The sequel to Wandering Marxwards)

The history of the Yakuza Eiga at the TOEI studio is roughly outlined. Real Yakuza and also their connections to the movie business are discussed, and many important actors and directors of the genres are interviewed. Former real yakuza boss turned actor Noboru Ando, Takashi Miike, Sonny Chiba and many more get a chance to speak.

Documentary exploring the thirty-seven years of preparatory work that director Carl Th. Dreyer did for "Jesus of Nazareth" – a film that was never produced.

French documentary on the Spaghetti Western genre, with numerous interviews.

Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.

A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.

The history of Frankenstein's journey from novel to stage to screen to icon.

She worked with the world’s greatest actors and directors: Buñuel, Mastroianni, Lellouche, Depardieu... The film guides us throughout her career with the filmmakers with whom she invented herself not to be a “cold blonde actress”, thanks to great interviews of many artists who crossed her path.

For the first 50 years of film history, the newsreel was a fixture in American movie theaters. From 1911 to 1967, these shorts proved an influential source of information – and misinformation – for generations of American moviegoers. Television news and public affairs programs became a great improvement over the scanty information offered by the newsreels. This documentary offers insight into a medium which has disappeared.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

Act of Violence Upon a Young Journalist is a film shot in 1988 and released on VHS in 1989; a mysterious cult work of Uruguayan cinema surrounded by strange theories about Manuel Lamas, its unknown creator. Until now.

A new light on American filmmaker Steven Spielberg, Hollywood’s greatest director, offering a unique perspective on his work and digging into his personal influences.

This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.

An investigative journey of more than 120 years of cinema in Paraguay, from the first screening with the Lumière Brothers cinematograph to the present day.

He is the most sought-after man in Europe in the 1960s. Lex Barker embodies the flawless hero in his films and, as Old Shatterhand, becomes a role model for generations of fans. Revered in Europe, misunderstood and almost forgotten in his native America. But who was this American who rode through Yugoslavia in a leather costume for the European audience? In 1973, Lex Barker died of a heart attack on the streets of Manhattan in New York. But no one recognizes the man who was Tarzan in Hollywood. Nobody knows him or cares about that he, as Winnetou's friend, is revered as an icon in Europe. Lex Barker's European western adventures are just a footnote in American film history. On the occasion of the 50th anniversary of his death, the documentary tells the story of one of the most beautiful men who ever flickered across Europe's cinema screens, for whom European cinema proved to be a stroke of luck and for whom a failed Hollywood career took him via Italy to Germany.

Writer Adam Rockoff provides a basic overview of the slasher movie genre.

A documentary about film producer Hal Roach.

Documentary illustrating the birth of sound cinema.