In the Closet

Freddy and Alex, lifelong friends on different paths, reunite as Alex, still battling addiction, seeks to reconnect. Their bond is tested when they land in a messy situation that challenges their friendship.

A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.

A storm is on the horizon. When a jet-black cloud engulfs a small village, the residents discover that it could put an end to more than just blue skies.

When the one you want… Is the one you can’t seem to have… Can love conquer all?

Christmas week can’t get any worse for Jules Jilliland. Dumped by her boyfriend, rear-ended on the freeway, and fired from her job, she finds herself stuck in an elevator with a handsome stranger. When their packages are accidentally swapped, will it end up being a misfortunate accident that suddenly brightens her holidays?

Note to self: Ask Santa for glasses this year. When Piper accidentally mistook a gorgeous man resting outside her building for a homeless person in need of lunch, things got heated. She was only trying to do a good deed around the holidays, but he called her righteous. She called him something far worse. If only she didn’t have to see him again. But fate has other plans.

Nina, a mentally ill teenage orphan, starts a new job as a garden cleaner when she meets Toni. They fall in love but soon Toni starts betraying Nina. Meanwhile, Francoise is picked up at a Berlin psychiatric hospital by her husband, Pierre. After spotting Nina, Francoise believes that she has found her kidnapped daughter Marie, but no one believes her.

A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

Mehdi is a hopeless romantic. But he’s too uptight according to his best friend, Olive, who urges him to loosen up and have some fun with gay dating apps.

Gold Medal Olympic runner, Travis Downes is forced to confront his actions after steroid allegations surface and his agent sets up a press conference for the next day. As he is locked in a hotel room his actions become more clear and he is forced to make a choice that will forever impact his future.

Karim, 30, drives every night. One day at dawn, he drives his last client - a foreign artist, the same age than him. Karim feels irresistibly attracted towards this young man. What he feels will start questioning who he thought he was.

A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.

During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

A band of displaced untouchables in Western Ghats of India embrace Buddhism in order to escape from caste oppression.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...