The light and the noise stain the dark night.
"Why we’re all paying so much more for Netflix, and what we can do about it."
A video-verité manifesto made with self-identified gender outlaw, author and activist, Leslie Feinberg (1949-2014). Raw and confrontational, this videotape asks its audience to examine their assumptions about the "nature" of gender, challenging any nead certainties and calling for more sensitivity and awareness of the human rights and dignity of trans people.
Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.
Sing! is a 2001 American short documentary film about the Los Angeles Children's Chorus, directed by Freida Lee Mock. How do squeaky-voiced 8 year olds become amazing singers? Sing! tells the story of how a community group, amid severe cutbacks in the arts, is able to develop a children's chorus that is one of the best in the country. It was nominated for an Academy Award for Best Documentary Short.
The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls and at festivals.
In this documentary Edo Maajka, Bosnian hip hop star talks about war, his life as a refugee, war crimes, forgiving and making peace, nationalism, music scene in Croatia and Bosnia, Balkans mentality, love and hate, cevap restaurants, Sava river, partings, life of music stars, Lepa Brena and Nele Karajlic, politicians. His mode of narration and his charisma, his sincerity and his relaxed camera appearance will surely capture the spectators' attention.
Short subject on how fashion is created-- not by the great couturiers, but on the street.
The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.
A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.
Making of Jean Luc Godard's Alphaville (1965)
Joe McKenna is one of the most influential stylists in the world. From the beginning of the 1980s, he struck up a great friendship with Azzedine Alaïa, and they continued to work together for many years. Thanks to their mutual understanding and trust, Joe McKenna was able to obtain the rare privilege of entering the studio and the couturier’s workshops with his camera. He paints an intimate and endearing portrait of Alaïa, punctuated by interviews with Nicolas Ghesquiere, Carlyne Cerf, Naomi Campbell and Grace Coddington, among others
A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.
'Ink and Gold: An Artist's Journey to Olympic Glory' is a short form documentary that follows the journey of New Zealand artist and athlete, Zakea Page, winning the Lausanne 2020 Youth Olympic Games medal design competition and fulfilling a lifelong dream to perform at the opening ceremonies. The film was shot over the course of one week in Lausanne, Switzerland, at the 2020 Youth Olympic Games and weaved together with self-taped footage of Zakea's younger years as an athlete and artist. Accompanied with interviews of his family, 'Ink and Gold' highlights the connection between art and sport in bringing together peoples of diverse cultures and backgrounds to bridge barriers of language and foster connections, mutual understanding, and respect for one another.
The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.
The rapid turning of a light draws a circle. In the space bound by its line unravels an archive of postcards sent between the island of Madeira and the former Portuguese colony of Mozambique. The figures carved into the Knife by the Sap of the Banana Trees circulates between a fictional colonial memory, and science-fiction.
Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.
A community of Armenians, refugees from the Soviet Union during the Baku pogroms, live in a deep American province. Baku life, Armenian blood, Soviet mentality, and American emigration mix in incredible tragicomic proportion.
The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.
A short documentary about how "Fulton" the Ukrainian Football Club came together.