Eliane Walther's puppet theater has been presenting fairy tales for children since 2008. She creates a magical and poetic world with simple means. Everything is created by hand in miniature form, from the witch's house, the protagonists and the books to the vegetable garden. During theatrical performances, Eliane Walther varies her own voice for each character. This brings the wonders and adventures of the stories to life and delights her audience.
Father lost his wedding ring in the ocean once. Like all the sailors, he’d take it from his finger to put on a neck chain, not to lose the finger as the net went out.
Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.
No one could spin a yarn to make a sale like Ray Lum. Twenty years after their initial meeting, Bill Ferris returned home to Mississippi in the early ‘70s with a camera. The result reveals a look back at the colorful rhythms of Ray’s life—at home, at the auction, joking with strangers outside country stores— and provides a glimpse at Southern manhood, friendship and loss. Now nearly Ray’s age when they first filmed, Ferris has become a Grammy Award winning documentarian and renowned folklorist. Using never before seen 16mm footage and new animations, OKAY, MR. RAY is a short documentary film about how even the tallest tales help us keep the memory alive of the ones we love.
Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.
Ts'oostsitsi is a Blackfoot word used to describe the past. Feeling responsible to continue storytelling in his family, Ike Solway recounts a powerful experience had by his grandfather. What follows is a story that echoes through generations.
"Wishful Drinking" is based on Fisher's memoirs of the same title. The stage adaptation had its world premiere in 2006 at the Geffen Playhouse in L.A. It later played at Berkeley Repertory before opening on Broadway in October at Studio 54. The show takes audiences on a comic tour of Fisher's messy personal life and career. The actress-writer recounts stories about her work on the "Star Wars" series as well as her relationship with her parents Eddie Fisher and Debbie Reynolds. She also discusses her much-publicized problems with alcohol and drugs.
A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.
Humans are story-telling creatures. By thinking, we all unconsciously "author" a self-story in our heads. Most often, the characters and plot of our story is framed by negative experiences from childhood. These painful "stories" then determine our emotions, leading to unhealthy stress, and changes in body chemistry. This is how a person's self-story can turn into a stress-related illness.
Among Swiss specialities, raclette is envied around the world and fills our stomachs and winter evenings, as well as inspiring the greatest comedians.
Jerry Welbach, a reluctant bagman, has been given two ultimatums: The first is from his mob boss to travel to Mexico and retrieve a priceless antique pistol, known as "the Mexican"... or suffer the consequences. The second is from his girlfriend Samantha to end his association with the mob. Jerry figures alive and in trouble with Samantha is better than the more permanent alternative, so he heads south of the border.
Laura Laune : La victoire de l'audace
Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.
Located in Winnipeg’s downtown core, Gordon Bell High School is probably the most culturally varied school in the city. In an effort to build bridges of friendship and belonging across cultures and histories, teacher Marc Kuly initiated an after-school storytelling project. The catalyst for this cross-cultural interaction was the students’ reading of A Long Way Gone by Ishmael Beah, a memoir of Beah’s horrific time as a child soldier in Sierra Leone’s civil war. These voluntary after-school meetings take dramatic turns and reach their climax when Ishmael Beah and professional storyteller Laura Simms travel from New York to work with them. With their help the students learn to listen to each other and find the commonality that so long eluded them.
After a rock is thrown through a window, two families become intertwined in a dispute after an incident following an unsuccessful marriage. The couple in question try to hash out what actually went wrong, as the surrounding family members point fingers at one another. Tension builds as all of their other problems seem to bubble to the surface at the same time.
6 Portraits
A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story.
Welcome to the neon studio of Carolina Pereira. Bem-vindo ao estúdio neon da Carolina Pereira.
Dragphoria is a short film about drag and identity, finding yourself in a noisy crowd, and slowly accepting yourself after a long-awaited denial.
Actor Stephen Tobolowsky has acted in over 200 TV shows and films over the past 40 years, possessing one of the most dazzlingly diverse filmographies on the planet. But even more compelling than the stories he's been apart of onscreen are those he tells offscreen. In 'The Primary Instinct,' Stephen plays himself and uses the art of storytelling to take the audience through a riveting and moving journey about life, love, and Hollywood. Along the way, he just may answer one of the questions that's dogged humanity since the beginning of time: Why do we tell stories in the first place?