Cifrovanô
Moravské Vánoce
Concert by the folk band Tomáš Kočko & ORCHESTR from Brno's Dělňák, on the occasion of the launch of their album "ONA"... The band's music is firmly rooted in Moravian tradition, spiced with folk influences, rock energy, and metal riffs, combined with elements of world music. Tomáš Kočko & Orchestr was born out of the verses of Ladislav Nezdařil, a Moravian poet from Wallachia. In 1999, Tomáš Kočko & Orchestr released their debut album "Horní chlapci" with his lyrics set to music, for which Nezdařil chose the dialect of the Moravian Wallachians as his poetic language. Bandits, mountains, defiance, respect for traditions, love and death, which Nezdařil's poetry is full of, became the thematic areas of subsequent albums.
Folklórny festival Východná 2023
Z troch chotárov
Final programme of the 53rd Folklore Festival under Poľana in Detva.
Poklona vôni domova
Vinšujem Vám tieto sviatky
From Adam to the Three Kings is the subtitle of the dance comedy Slovak Christmas with SĽUK. A traditional opus as a comedy about the creation of the world and what came after.
Čas dohviezdny - čas ľúbezný
Vianočné spevy a pastorely
Recording of the 63rd Folklore Festival Východná 2017 - With the flow of the Olza River - a presentation of the region of Silesia from the perspective of the Polish national minority.
Scenic programme with traditional folk culture of the villages of Central Slovakia.
Recording of the 64th Folklore Festival Vychodna 2018.
A woman haunted by grief and religious trauma finds her solitude broken by a stranger, but as night descends, so does something far older, and far more dangerous than she imagined.
Viliam Gruska - pútnik slovenským časom
Amanda Montejo is a trans woman, make up artist, Guadalupana and a witch. This documentary portrait explores different facets of her spirituality and fragments of her past, revealing the duality of her being.
Goralské Vánoce
“Sapphic Folklore” transforms the typical love story into something contradictory: sapphic desire versus tradition. Set against the backdrop of a Portuguese folk dance troupe, the two characters navigate feelings unfamiliar to both of them and, away from society’s judgment, in a rehearsal room meant only for the two, they find themselves.
Vianoce na Honte