Nedjma, an 18-year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War keep her from experiencing a normal life. As the social climate becomes more conservative, she rejects the new bans set by the radicals and decides to put on a fashion show.
Shimu, 23, works in a clothing factory in Dhaka, Bangladesh. Faced with difficult conditions at work, she decides to start a union with her co-workers. Despite threats from the management and disapproval of her husband, Shimu is determined to go on. Together the women must fight and find a way to register their union.
19 year old Linnéa leaves her small town in Sweden and heads for Los Angeles with the aim of becoming the world's next big porn star, but the road to her goal turns out to be bumpier than she imagined.
Three generations of women whose lives are connected by blood and fate as they cope with relationships with men. Bea is an architect who has just got promoted but this professional success exposes her husband's insecurity. Alex is the teen-aged daughter of Bea who enters into an abusive relationship with a boyfriend. Adora is the newly widowed mother of Bea who is about to come to terms with facing life alone.
Following in the footsteps of her idol and bandmate Jaqueline, Shelly intends to become a great singer of Brega. She enters show business in search of fame and fortune but, inserted in a world where everything is disposable, including love and human relationships, she will encounter great difficulties to achieve fame.
In an Argentine village in the 1930s, the willful Leonor discovers that her beloved daughter, Charlotte, has dwarfism. Attempting to let her have as normal a childhood as possible, Leonor never discusses Charlotte's lack of stature, nor lets anyone else in the village ever mention it. As Charlotte grows up into a smart and self-possessed young woman, local eccentric Ludovico, who collects miniatures, becomes smitten with her.
The film follows Gabriel Angel (Rakie Ayola), a young Caribbean aviator who falls in love with the forger Duncan Stewart (Jonathan Pryce) on her journey to England. Stewart is pursued by his nemesis Rex Goodyear (John Hurt), and the group are supported by Dr Angela Bead (Vanessa Redgrave) and Miss Gwendolyn Quim (Dorothy Tutin), retired missionaries who become lovers during the voyage.
Brothers Martin and Simon, not yet teens, are incorrigible vandals; Martin runs away from reform school, Simon from foster homes, and they always find each other in a seacoast town of Lignan, where their destructive behavior is infamous. (It may date to their mother's leaving the family.) Martin is philosophical, romantic, and poetic: he dreams of being the son of a shark; he holds tight to a book about goldfish his mother gave him. In both halting and wild ways, he tries to court Marie, a neighbor girl. Simon, with a pocketknife and an intractable will, seems more dangerous to others. What, on earth, is there for these children-becoming-men?
During their vacation in the French countryside, a wealthy German family becomes entangled with a young hotel worker harboring sinister intentions.
Two young women in the world – a reunion weekend in Melbourne. Em’s on a break, Jessie’s always been chill. Dialogue like a babbling brook, sweet, smart, banal to heavy and back again, honest and unafraid of pathos. A generation of happy wounded souls.
After his mother dies and father goes to fight in World War II, a young boy moves in with his aunt and uncle who live in the countryside. Lonely and unhappy, he starts believing he has super powers. Then a "dead" man shows up.
Two students in the West Bank are forced to return home to Gaza, where their love defies tradition. To reach his lover, Qays graffitis poetry across town. A modern retelling of the famous ancient Sufi parable Majnun Layla.
A thriller about a man, Dr Wolcott, who is wrongfully acquitted of charges that he molested his daughter, Dinah. The deputy district attorney, Joey, takes Dinah with her seeking refuge from Dr. Wolcott's molestation.
In 1880s China, young Lalu is sold into marriage by her impoverished father. Rather than becoming a bride, Lalu ends up in an Idaho gold-mining town, the property of a saloon owner who renames her China Polly and plans to sell her as entertainment for the locals. Refusing to become a whore, Lalu ultimately finds her own way in this strange country filled with white demons.
Embodying Rainer’s aesthetic rigor and wit, the film combines fiction and documentary, script readings, dance snippets, still photos, and tableaux vivants to explore issues of power and gender that influence the emotional lives of her performers.
A young couple move into an expensive new apartment after the husband gets a big pay raise. Unfortunately, he is soon stricken with a mysterious ailment and becomes bedridden. The wife, unable to find a job and with bills piling up, runs into a seedy pimp who suggests a way she may be able to make a lot of money in a short time.
Chantel Mitchell, a hip, articulate, black high-school girl in Brooklyn, is determined not to become "just another girl on the IRT" (the IRT is one of NYC's subway lines). She dreams of medical school, a family, and an escape from the generational poverty and street-corner life her friends seem to have accepted as their lot. But personal and sexual challenges confront Chantel on her way to fulfilling these dreams.
Olivier, the nine-year-old son of Elisabeth and Serge, a country veterinarian, vanishes one afternoon on the way to his grandmother's house. The emotional aftermath of his disappearance sends his father packing and nearly destroys his mother.
Margaret (Lena Headey) is a shy, pale, middle-class Englishwoman who is reluctantly engaged to her older, twittish neighbor Syl Monro (David Threlfall). Both bride- and groom-to-be still live with their mothers in the humdrum suburb of Croydon. However Margaret has been acting strangely ever since a vacation in Egypt, where she stayed with her mother's friend Marie-Claire (Catherine Schell). She secretly despises Syl, but does not resist when her mother Monica (Julie Walters), who has repressed the failure of her own matrimony, insists on marriage for the sake of social convention.
A young boy and his father live in a dull, lonely house with the shadow of mourning hanging over them both. The boy misses his mother but gets no comfort from his father's assertions that she went peacefully. This tragedy is added to by the family dog which is looking increasingly unhealthy.