My Sahrawi family

The film, shot in the Saharawi refugee population camps, tells the story of a group of students from a film school who, for their final year project, decide to shoot on the Wall of Shame erected and mined by Morocco, in the middle of the current war that is being waged after the breaking of the ceasefire by the Alawite regime in November 2020.

The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.

Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.

Tebraa is the song of the women of the Sahara desert. Songs of love or lamentation that they sing when they are alone. This collective documentary made by a group of Andalusian women tells the life and injustices that Sahrawi women experience in the adverse conditions of exile and in the occupied territories of Western Sahara.

Spanish actor Pepe Viyuela embarks on a personal journey on the trail of his grandfather Gervasio, a soldier in the Republican Army during the Spanish Civil War.

Atil, a documentary on the life of the Saharawis in the Tindouf refugee camps in Algeria. In the camps there are no limits, since creativity and innovation give rise to ideas that succeed in changing the world. As a result, this documentary presents five young Saharawis who show day by day that anything is possible, despite the difficulties. They are all examples of perseverance. Discover a place where hope is never lost.

Sahrawi artist and visual poet Mohamed Sleiman Labat follows the story of the emerging phenomenon of small scale family gardens in his local community in the Hamada Desert. The film features the story of four families in Samara Camp with small scale gardens, their practices and the knowledge they develop as part of their practices in the garden. The camps are located in a very harsh environment with extreme climate conditions, and the Sahrawi are still dependent on international food aid.

Humaná tells two stories, the daily life of a Sahrawi refugee and food they receive to live and hard process of distributing hundreds of tons of food daily. From the voice of Najla and Jesus primarily, we´ll see the difficulties and as the project AECID and Attsf proposed in 2005, was a turning point for all food arrived on time for every Sahrawi.

25 minutes in the Sahara, is a snapshot of the 34 years of division in which resistance and justice for the Sahrawi community has played out. 1500 seconds of images and voices are heard from exile; voices that are not silent under occupation; that speak as immigrants and that hold their own as an international human platform. 1500 seconds to open and not close your eyes to the reality of these men and women, part of our History. A present of robbed freedoms, properties exploited and forgotten by those who hold the key to the globalisation of toture and repression. A bid, at the end of division, to grant the Right to a Future in the Present, from the West and democratic action in the name of the Sahara.

Testimonies of a people enlisted on the path of independence. Records taken at refugee camps in Tindouf (Sahara Desert in southern Algeria) and Bir Lehlu (region liberated by the Polisario Front)

Forty years after its people were promised freedom by departing Spanish rulers, Western Sahara remains Africa's last colony. This film chronicles the everyday violence experienced by Sahrawis living under Moroccan occupation and voices the aspirations of a desert people for whom the era of colonialist never ended.

In the middle of Western Sahara desert, where no water, no trees, no animals live but a bunch of refugees, struggling in poverty to survive the harsh habitat, the least of the problem one might face is the environmental crisis.

The relevant NGOs and the Spanish film industry have organized the First International Sahara Film Festival, with the official objective of bringing films to refugee camps for the first time for a few days. With a humorous tone and a self-critical intention, the aim is to include a range of shades of gray in a world dominated by black, white, and slogans.

The film offers an insight into a nearly forgotten world. The times when the Sahrawi war of independence was on the international agenda seem to be long forgotten. The fate of hundreds of thousands Sahrawis living in refugee camps since the 1970s seems not to be spectacular enough for further attention. Inthe film the women get a chance to speak. It is a film about their experiences and hopes. It is mainly a film about life in surroundings where seemingly normal things are real challenges. The film is a simple and impressive portrait of women, who have been fighting against their fate to help their people. They have never lost their drive, no matter how unfavourable the circumstances have been. It reminds us of the fate of the Sahrawi people. The film is realistic, without any kitsch elements. It shows impressive pictures of the real lives of strong women, who have never stopped fighting for independence.

In a refugee camp in the Sahara desert lives a deaf boy who wants to learn to write. Welcome to the silent world of Kori and his best friend the camel Caramelo.

The magic of life in the desert and that which takes place on a stage, the tricks that one has to learn in order to survive and those that bring a smile to your face. Two worlds that you find behind a clown’s nose and 1500 excited children.

Ahmed lost a leg because of a landmine. Fatimetu works as a deminer. Mohamed tells the story of the wall that divides his country, Western Sahara. Kadija would like to come back to her occupied city, but she no longer hope it.

The documentary gives as overview of the history of the Sahrawi people and their current situation in the refugee camps and in the liberated territories of Western Sahara. It describes how water, education, land etc. are managed.

Documentary about the arduous early years of the Sahrawi cause (1977)

Habub and Marcos establish a relationship through “video letters” during the wintertime. Through these videos, we see what daily life is like in the Sahrawi refugee camps and, more importantly, how important the friendship between these two kids is.