Lapin hyper lent
CORAZÓN INVISIBLE
The Untold Story of the Suffragists of Newfoundland (1999) is a docu-drama celebrating the thirty year struggle by the women of Newfoundland to win the right to vote.
In the seaside town of Rochefort, twin sisters Delphine and Solange dream of love and artistic fulfillment beyond their quiet lives. As sailors, artists, musicians, and chance visitors pass through town during a weekend fair, a web of near-misses and romantic longing brings ideal partners tantalizingly close—without their realizing it.
An act of cowardice influences the lives of two Basque families over three generations.
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
U B(ON) IN MY EYES
Oil extraction in the Amazon region is contaminating the land and water of a natural paradise. A slow process that threatens the health and traditional culture of local communities. Thirteen women raise their voices against the destruction of their land. Through protests and silent resistance, they confront an opaque global power structure.
Siblings Aru, age 3, and Kino, age 1, have 3 parents: father Fumino, who is transgender; mother Honoyo, Fumino's partner who gave birth to the children; and father Gon, a close gay friend who donated his sperm. The 3 are now raising their children together, struggling repeatedly to find their own way of being a family. This program covers their first 3 years of parenting. And it asks an important question: What does it take to be a family?
The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.
A young woman raised in the US returns to her birth country in Eastern Europe after a devastating tragedy. Questioning her sanity and her sexuality, she starts believing she possesses supernatural powers.
During a summer in a french southern village, two girls meet : Laure sells antique linen while Ophélie runs an art gallery. Although they have nothing in common, they grow closer as they talk to each other and their opposing characters become interwined.
A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.
La plaque tournante
Best friends set out to conquer Hollywood but are ambushed when one of them is diagnosed with bipolar disorder.
The Junk King (Vince Hannemann) gives valuable insight regarding his art and the Cathedral of Junk in Austin, TX.
A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.
Time passes but nothing changes. Opportunities are missed one after the other. Until finally there's a way out.
This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.