cuando muera tendré un cubo de tierra junto a mi cama

Armed with his late father's camping gear, a filmmaker returns to his family's Sierra Nevada fishing grounds, where a quest for nostalgia reveals a hidden history of non-native stocking that redefines his childhood memories and the importance of preservation.

It’s the second semester of junior year for Pierce “Sparni” Sparnroft, a gifted jazz vibraphonist studying at Montclair State University in New Jersey. Sparni’s prospects on the vibes were rejuvenated by their new professor, the world-renowned Steve Nelson, and are to be showcased during a student-driven recital in May 2023. But all the while, Sparni must face a crisis within.

A short documentary about everyday objects, the people who used them, and the beauty of that use. From the video description: "An encounter with the past. The introductory film for visitors to the National Museum of Ireland (NMI) - Country Life. It tells a story about Irish traditional folk life, the self-sufficiency and community spirit by which people's lives were played out against a challenging physical environment. That environment quite often dictated the materials, crafts and traditions by which lives were lived. The museum's collection of 'ordinary things', on display in Turlough Park, illustrate these stories." Written and narrated by Irish writer and broadcaster Theo Dorgan. Made in association with the NMI — Country Life. Available online on the Youtube channel of the NMI — Country Life: https://www.youtube.com/watch?v=GCYrq8yWSSQ

Las Preguntas que Perdimos

Shot in Kyiv, Bucha and Gostomel in May 2022, the film shows eyewitnesses of the beginning of the full-scale invasion and the following Russian occupation. The protagonists share their impressions of those days and their thoughts about the present and future.

Tony Palmer directs this 1970 documentary about Scottish bass player and former Cream member Jack Bruce. The film tracks Bruce's life from his childhood in the Gorbals to the height of his fame with Cream and beyond.

Geografía personal

Fernanda Ocaña, a 60-year-old drag artist from Seville, left her hometown at 14 to build a life in Barcelona. Taken in by the iconic Spanish artist José Pérez Ocaña, she immersed herself in the world of show business. Today, she continues to shine as the host of the Bar Ocaña in Plaza Real, welcoming guests with her unmistakable charm.

The inside story of the Artemis II mission - filmed over three and a half years at NASA. How did four astronauts travel to the moon, going deeper into space than ever before?

Discover the untold stories of D-Day from the men, women and children who lived through German occupation and Allied liberation of Normandy, France. Powerful and deeply personal, THE GIRL WHO WORE FREEDOM tells the stories of an America that lived its values, instilling pride in a country that's in danger of becoming a relic of the past.

On November 25, 1973, the first of four car-free Sundays transformed West Germany's deserted highways into spaces for walking, cycling, and horse-drawn carriages, while towns and cities took on a festive atmosphere. Introduced during the oil crisis to conserve fuel after the Arab oil embargo and production cuts following the Yom Kippur War, the measure became an unforgettable collective experience. Beyond the immediate energy shortage, the crisis marked a turning point, ending the postwar economic boom and encouraging greater awareness of energy use, consumerism, and environmental issues.

SOME COLORS

Voices in Wartime is a 2004 documentary that explores the human experience of war through poetry. Combining interviews with soldiers, journalists, and historians, it reveals how war affects individuals and societies across time and place. The film features poets from around the world – from Homer and Wilfred Owen to Shoda Shinoe and modern writers in Iraq and Nigeria – showing how poetry expresses the pain, trauma, and truth of conflict. By linking verse with real-life accounts, Voices in Wartime highlights how poetry helps us understand the emotional and moral impact of war.

First published in 1898, H.G. Wells’s The War of the Worlds was a veritable literary and cultural revolution. It laid the foundations for modern sci-fi by telling the first- ever story of an alien invasion. A political and moral fable, the novel uses science fiction as a tool to raise our awareness and alert the modern world to the dangers and risks inherent in industrial, scientific and technological progress. It is high time to rediscover this seminal book.

The massacre occurred 500 years ago. In 1525, the Spanish Royal Council ordered the execution of five members of a cult recently discovered in the Pyrenees. This event marked the beginning of a relentless, century-long prosecution against Basque witchcraft, which exhibited all the hallmarks of the great European witch hunts, including an unstable border between powerful nations, revolts against the lords, raging misogyny, confessions obtained under torture, and mass accusations. These past five centuries, only one account has been heard: that of the inquisitors and jurists, the same ones who invented the myth of flying witches who met with the devil at sabbats to plot their crimes.

Portrait of Seraphim Bit-Kharibi, an Assyrian Orthodox Christian monk residing in Georgia, who sings in Aramaic, the mother tongue of Jesus Christ

100 pounds overweight, loaded up on steroids and suffering from a debilitating autoimmune disease, Joe Cross is at the end of his rope and the end of his hope. In the mirror he saw a 310lb man whose gut was bigger than a beach ball and a path laid out before him that wouldn't end well— with one foot already in the grave, the other wasn't far behind. FAT, SICK & NEARLY DEAD is an inspiring film that chronicles Joe's personal mission to regain his health.

A short documentary that brings light to the experiences of those who live with hidden disabilities. Through eight heartfelt interviews, participants share their struggles, strengths, and realities of their everyday lives.

Set against the vibrant spectacle of the jaripeo, a symbol of Mexican cowboy tradition and machismo, this story unveils a hidden world of queer desire and quiet rebellion. As glances and gestures disrupt the rigid norms of masculinity, the rodeo becomes a stage for our protagonists to navigate identity, community, and the search for belonging in an oppressively traditional space.

Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?