Wie wohne ich gut und billig?

A young man in a leotard leads a group of animals in a sumo wrestling match. The bear is the final victor of all the animals, but then loses when he must face Kintaro.

A young couple visits a widow named Amparo on Christmas Eve to possibly buy her floor. But Amparo seems more interested in their lives than a flat sale.

The mischievous Chinkoroheibei visits the underwater realm of the fish king where he tries to steal the king's treasure box.

The two of them, all alone at home. All alone with her father's corpse. Memories, ideals, and reality all sink beneath the muck. Everyone is alone. Everyone is in solitude.

A small white box. Everything happens in that little world. A woman's face comes out from the side of the room and roars, birds peck at human flesh, trains run through, and a couple quarrel begins. When the billiard ball penetrates the room, the billiard ball changes into various shapes ... Each room is a world, and what happens there is a microcosm of modern times.

Remake of the 1960 film with the same name in color that tells the story of a man and a woman who go by raft to a remote desert island with chickens and a dog. At first, it is a kind of paradise for them. They farm and fish following the same routine every day, feasting on grilled sanma that they roast out in the open. One day, their harmony gets interrupted by a mustachioed scientist on a raft powered by an abused pig. This unwanted visitor constructs a robot which begins the process of industrialization on the island. The couple are disgruntled but decide to put up with the man and his technology.

Detective Knick Garter and his sidekick Rheuma Tism are called for help by their friend, inventor I. Wanta Sneeze.

In Natpwe, the feast of the spirits, co-directors Tiane Doan na Champassak and Jean Dubrel have produced an immersive, seemingly timeless document of an annual Burmese trance ritual that dates back to the eleventh century. Shot in Super 8 and 16mm in sooty black and white, the film conveys the astonishing sense of liberation of tens of thousands of bodies and minds — a mass expression of faith, but also a rapturous respite from societal intolerance.

A man becomes obsessed by the sight of his own double in an Italian film from the early 1960s.

When the forests have no end. When the vampires are pretty and it's not good to run away. And then especially when it is made into a film...

Carter Is struggling in school due to his video game addiction. When he doesn't take his professors advice seriously, a strange turn of events leave him in shock.

The low budget film starring the young Bruce Campbell that influenced the Evil Dead films.

Convenience and video store clerks Dante and Randal are sharp-witted, potty-mouthed and bored out of their minds. So in between needling customers, the counter jockeys play hockey on the roof, visit a funeral home and deal with their love lives.

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

Tomer and Shmulik are a couple. One evening, during a causal supper, one of them announces he wants to break up. Pain takes over their intimacy and the night takes an unexpected turn.

Off a lonely Texas highway, a group of hustlers prey on the desperados who have come for sex, drugs and Mommas special milk. When a murderous cowboy rolls into town, a young trans boy quickly sees an opportunity to feed the physical and emotional hunger that has long been ignored by the neglectful Momma. As the boys begin to fall one by one, Penny is caught between the Cowboys lustful rage, and the greed and corruption that Momma represents.

Two roomates become acquainted during a game of chess.

Night Stream, a short experimental film about rebirth and fertility, succinctly evokes the flow of tension and trance within the dream state.

No End was inspired by a poem I wrote over the course of six months. During this process, abstract images surfaced, subsided, and settled: eventually forming the foundation of a film. The result is a lyrical journey that explores the intersection of interconnectivity and the lived experience. The film includes an original soundtrack by Graham Stewart of Viosac.

A creative mother tries in different ways to figure out if her teenage son is gay.