A personal experimental exploration of the book of Psalms in the Holy Bible
A chronicle of the lives of a couple and the gradual dissolution of their relationship.
Impressions of a turbulent period in youth.
Alchimie au rhodium
A man down on his luck reconnects with his ex and receives an inconvenience instead of an inheritance.
We follow a young woman named Evie as she struggles to help her sister Tris with an ever-worsening case of depression - a condition that has already marked their family with tragic death.
London, 1761. St. Mary's of Bethlehem, a sinister madhouse, is visited by wealthy people who enjoy watching the patients confined there as if they were caged animals. Nell Bowen, one of the visitors, is horrified by the deplorable living conditions of the unfortunate inhabitants of this godforsaken place, better known as Bedlam.
An overly anxious man mysteriously finds himself unable to leave a bathroom.
Heartbreak. Loneliness. No love for one's own self.
In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.
In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.
DURING THE FINAL YEARS OF CANNABIS PROHIBITION: Troubled college student Chance returns home to his affluent hometown in suburban Connecticut & conceives of a plan to take over the local marijuana trade.. He enlists the help of several friends and acquaintances and forms a business known as the Sleight of Hand. This plan, however, extends well beyond his control and begins to unravel as he continues to disregard the advice of his psychiatrist, descending further into depression. He must now shuffle his mother, doctor and cover job, as well as keep his illegal business one step ahead of the local authority. Chance's substance abuse and mental instability collide as he falls deeper into a world of vice and psychosis.
During a walk in the woods a man stumbles upon a gate blocked by a guard who refuses to let him through. Gaining entry quickly becomes his obsession and only goal, to the detriment of all else, including his own physical and mental health.
Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".
Cecilia is a successful social media influencer living the dream, until she runs into her ex-childhood best friend and is invited away on her bachelorette weekend. Suddenly, Sissy finds herself stuck in a remote cabin with her school bully... and a taste for revenge.
Musical based on the works of Jacques Brel.
Sandy and Alejandra are two young women who live together with Lexa, an artist with a multiple personality who is preparing her new exhibition. however, the romance between these two personalities will be in danger, not only because of their inability to have physical contact but also because of the problems it generates for Lexa and the body they inhabit. therefore, Sandy and Alejandra must decide before it is too late.
A disillusioned writer explores the subterranean depths of San Francisco's North Beach district.
Psycho Joe loves one thing: fast cars! When he gets a job at a local supermarket, Joe meets fellow "petrol head" Dazey, who quickly becomes his idol and best friend. Soon after, Joe falls for Savina, a goth girl who practices black magic. But Savina has already fallen for Dazey and will do anything to get him -- including using Joe's feelings for her. In true Shakespearean fashion, this trio race down the road to tragedy.
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.