Ladies Knight

Anika Price's LCAD Experimental Animation Senior thesis film.

From career-ending LinkedIn posts to life-ruining Yelp posts, Abi's online tomfoolery knows no bounds. However, in a world where online misconduct isn't tolerated, she must confront her online targets face-to-face in this satirical courtroom drama.

After his four siblings mysteriously die in their first weeks of college, a paranoid freshman must put his fears aside when a masked killer picks him as her next victim.

Violette lives in an apartment with her boyfriend. A tension has long driven them apart, the dialogue seems worn-out. While she is in the bathroom brushing her teeth, Violette is called out by a strange silhouette which looks right at her through the drain (of the sink): a living finger, which has taken up residence in the pipes. The finger seems to show itself only when Violette is alone. Her boyfriend, who seems now to hold nothing more than contempt for her, is no source of support. Refusing to tolerate the strange creature's intrusion, she is going to make every effort to put an end to this psychosis. But are things more real than we might think?

Scheming coed Babs comes between college buddies Eddie and Biff.

Two gay losers team up to get revenge on their bullies.

Baddie

Gretchen unmoulds a jar of jelly in her room while her parents picnic in the garden. The jelly comes to life, the girl begins a frenzied dance with her new friend "Jelly".

A succession of slices of life paints a general portrait of the city of Rio de Janeiro and its inhabitants; their pace of life, urban patterns, the weight of concrete, ethnic mix, body worship, religion, work, leisure.

During the Annecy festival, while the young festival goers flock to the screenings, a producer relaxes on the lake.

A cardboard world where monkeys steal pickles and buildings change themselves. The film is a visualization of the city's rapidly changing neighborhoods, that still hold charm in the shop keepers and street musicians.

A hungry pidgeon finds a box of popcorn, down on a bench, and tries to reach it. The only thing it stops him to get it it's the rain.

Once in a Little Bit of Time

An idle, Arab American stoner discovers a portal to the war memories of his mother's past while doing the laundry chore.

In a corporate world void of human interaction, Ennis has lost her ability to relate to others. When the company fires her and forces her into a crowded tenement building, Ennis must overcome her fear of human connection to begin again.

Eileen and Martin are a young couple living in their apartment home. Martin is terminallly ill in an induced coma. With the aid of AI technology, his consciousness is being kept alive in a simulated reality of their apartment home, where Eileen visits him regularly.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.

A battle-hardened soldier faces a heartbreaking moral dilemma when he's ordered to execute a young prisoner who bears an uncanny resemblance to his own child.

Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves.

Of You, as in I Am of You chronicles the complex love story of a mother and daughter shifting back and forth over the course of 25 years, and explores their spiritual connection and detachment. This film is an intimate, nuanced look at how a relationship ages and evolves; how it bends but does not break.