I'd Receive the Worst News from Your Beautiful Lips

101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.

Three stories (Love, Heart, The Hoop) set in the urban, alienated world of a big city. It tells how thin is the line between melancholy and depression.

In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.

A young transgender man explores his gender identity and searches for love in rural Nebraska.

After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.

Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.

A young South African boy from the Johannesburg ghetto named Tsotsi, meaning Gangster, leaves home as a child to get away from his helpless parents. Now a teenage thug, Tsotsi finds a baby in the back seat of a car he's just stolen. He decides that it is his responsibility to care for the infant and in the process learns that maybe the criminal life isn’t the best way.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

Clara (Karin Viard) is a stripper with a high-strung, jealous boyfriend with the curious name of Loockeed (Antoine Chappey). The couple are friends with the even-temperred, almost saintly Max (Gerald Laroche), an auto mechanic. The three of them set out from their home in the north to journey to the Alpine mountains near Switzerland and Italy, where they will help a fourth friend take care of his pleasure boat business at Lake Annecy while he is in military service. As the trio attempt to establish some sort of equilibrium in their new lives, Max must constantly deal with Loockeed's testy, jealous barbs. Despite this, the three of them remain friends.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Three bachelor brothers—Fadly, Kifly, and Ahmad—were asked by their parents to have a joint wedding due to financial limitations in upholding tradition. However, Fadly's fiancée was suddenly arranged by her parents to marry a more well-off man. Now, Fadly must find a new bride in the short time remaining, or their joint wedding will be in jeopardy!

In the middle of a crowded city the paths of two strangers, a man and a woman, collide. This accidental, chance occurrence sets in motion a chain of events that sees the two strangers embark on a night of adventure and connection that challenges their separate lives.

A family finally comes to terms with the grief over their son's suicide 25 years earlier.

After four years in prison, Bobby is released into a world he no longer recognizes. His exgirlfriend Penny is abusing drugs. Their daughter is in foster care. Bobby's sister is in the process of rebuilding her life after a bad relationship.

An invitation to enter the soul of an artist - director Erick Ifergan - through a highly personal retelling of the Orpheus tale suffused with Ifergan's striking paintings, sculpture and conceptual photography.