The Kostomarov family falls apart when a female relative joins the household.
Actress Fay McMillan finds her child, Pauline, whom she deserted years ago, in an orphanage, but Monty, her financer, objects to her taking the girl back.
A horse racing comedy in which Mabel Normand plays the part of the driver after her lover has been bound and hidden away by the villain and his tools.
Smith's chum is a very poor Baron. Smith and the Baron are invited to a ball, and the Baron, not having evening clothes of his own, "borrows" Smith's dress suit. He is having the time of his life when Smith arrives, thoroughly angry, and taking the Baron in a room takes the clothes away from him. The Baron is in a terrible predicament, dodging around from room to room, as people intrude upon his hiding places. He tries to hide his face with a handkerchief, and a lady catches a glimpse of him as he dives under a bed. She screams in terror, thinking he is a mad man, and then the poor Baron is chased all over the house. Someone telephones for the police and they assist in the capture and lead him away.
A motherless young man tries to clear his name after he kills his abusive stepfather in defense of his sister.
Futsû no Onnanoko: Seiai Nikki
One day, Reiko, a female college student who aims to be active in the world of mass media, is asked to investigate the actual situation regarding sex among female college students. Reiko infiltrates the girls' dormitory, but as soon as she moves in, Kyoko, who manages her dormitory, forces her to attend a party on Saturday night...
A woman rejects her clingy female lover and pursues a female co-worker. The spurned lover plots revenge and the co-worker has a kinky secret.
A taxi driver kidnaps a fare and imprisons her in his apartment.
Yakumaru is researching an aphrodisiac to cure his impotence. He happens to meet Mitsuko, who also has an impotent husband, and Yakumaru gives Mitsuko the medicine he is researching. The next day, the two meet again to hear the results, but Mitsuko seems strange. Mitsuko, who was frustrated that her husband did not cooperate and did not take her medicine, ended up taking the medicine herself.
Sawako enjoys taking photos of older men and making scrapbooks with them. Although the men she has dated have always been older than her, she has been unable to speak well with her father and they have grown apart.
Misa is an underground idol and being filmed closely for a documentary. One day, an owner of BDSM club "H" perceives Misa's potential and headhunts her as a dominatrix. Misa is confused at first, but when she meets the top dominatrix Kanon, she learns sexual pleasure she never knew. She then decides to pursue a career of both idols and BDSM.
Hazuki clips her nails every time it rains. She caressed 'her' with these fingers back then. Hazuki, an editor of a publishing company now, is attracted by Shiori, the head of planning. On a day when the two women soaked wet in the rain, they enter an motel for shelter and take a shower. There Hazuki sees the image of her lost "girlfriend" in Shiori and eventually they reach out to each other.
A typical work day begins for an excutive secretary. Wake up, get dressed, commute, make coffee, read the bosses schedule, type letters, get invited to a floating world of forbidden erotic pleasures, sleep, repeat.
Lost film. A man's devotion for a woman brings about his ruin.
Shin mibôjin geshuku: Iroiro oshiemasu
Seul-gi has a satisfactory life with her rich and caring husband. However, she feels she's lacking something and meets Seung-hwan to whom she is very much attracted to. Seung-hwan is a free spirited man and seduces Seul-gi. The two of them experience an exciting but dangerous relationship. However, her husband Jeong-ho finds out but he's willing to let it go as he knows he loves her but he hasn't been able to care for her much as he's been so busy. He gives her the chance to make a choice and the moment comes where she has to make the right decision...
Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.
Onna maruhi hatsujoki
Nippon-koku keihô dai 177-jo: Gôkan-za