Dokumente zur Lebensweise: Wohnungsprobleme 1982/83 - Dokument I

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

L'album de famille de Jean Renoir

Fritz Lang, le cercle du destin - Les films allemands

Les voyages de L'Atalante

Jean Vigo : le son retrouvé

French Resistance's documentary during the liberation of Paris in August 1944.

Take a breathtaking train a ride through Nothern Quebec and Labrador on Canada’s first First Nations-owned railway. Come for the celebration of the power of independence, the crucial importance of aboriginal owned businesses and stay for the beauty of the northern landscape.

Le Théâtre National Populaire

Final Line

Children get ready to start the first grade. They start learning the first letters.

Cinéastes de notre temps : Erich von Stroheim

Cinéastes de notre temps : Jean Vigo

Filmmakers of Our Time: François Truffaut or the Critical Spirit

50 años de... Canciones

LONDON SYMPHONY is a brand new silent film - a city symphony - which offers a poetic journey through the city of London. It is an artistic snapshot of the city as it stands today, and a celebration of its culture and diversity.

Two unique perspectives on the city of Liverpool come from interviews with the director's parents.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Dialogue-free short detailing the daily tasks of a man and his wife.

Vilnius is a city of notable historical heritage and unique character currently undergoing considerable changes. Some of the life fragments our camera has recorded are no more. The film, therefore, is a testimony to that which has faded into oblivion, and a glimpse into what is to come.

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.