P.L.O.W.: Punk Ladies Of Wrestling

Carmen Electra presents a series of matches from the NWWL, including Annie Social vs. Trish the Dish, Ninja Chops vs. Kylie Electra, Cleopatra vs. Josianne the Pussycat, April Hunter vs. Melissa Coates and a championship match between reigning champion Kandi Smyth and NWWL newcomer Mandy Weaver.

Savo from Kikinda (Serbia) and his brother recall how they called communal service few years back to empty the septic tank in their backyard. As careless servicemen weren't coming for days, Savo staged his death by drowning in the hole. Communal service sent three trucks while Savo was looking at them from the attic. A story of a small man who fought the system and won, only to become a huge YouTube hero afterwards.

Comedy legend Martin Lawrence returns to the stand-up stage for a night of impressions and insight on everything from sex, relationships and President Obama, to Bill Cosby, Hollywood and more. Filmed live at LA's Orpheum Theatre.

A whimsical yet serious-minded look into the future sponsored by the appliance and radio manufacturer Philco-Ford. In the "1999 House of Tomorrow", each family member's activities are enabled by a central computer and revolve around products remarkably similar to those made by the sponsor. Power comes from a self-contained fuel cell which supports environmental controls, an automatic cooking system, and a computer-assisted "education room".

Off-camera, a Western traveler tells us of hearing singing from his hotel window in Bombay. He searches for the source, and discovers a caste of street performers, eking out a modest living. We see individuals and groups, old and young, snake charmers and those hired to sing at family celebrations. A few talk about their lives and refute accusations of kidnapping lodged against the caste. A troupe of women sing at a party for a pregnant woman - they are saucy and blunt, encouraging and sisterly.

A documentary about avant-garde composer Harry Partch.

This short documentary, shot in July 1976 at the Mannes College of Music on Manhattan's Upper East Side, marks the first collaboration between Merchant Ivory Films and composer Richard Robbins, who would go on to provide the musical scores for nearly all Merchant Ivory films. Later in 1976, 'Sweet Sounds' was shown at the New York and London Film Festivals. It was also broadcast on PBS.

Ivory's initial effort as a filmmaker was Venice: Theme and Variations, a documentary made as his master's thesis at the USC film school that, although only 28 minutes long, is rich in composition and aesthetic texture.

After a long exile in Venezuela, filmmaker Mario Handler returns to his country, Uruguay. There, the dictatorship is still present in the media, public opinion, and in the memory of people. The director feels he owes something to the comrades, those who could not leave the country. This debt translates into poetry, black humor and conscience, in a sharp and accurate atmosphere of this dark time of Uruguay.

Aftershocks is about the transformation of the Welfare State into an ally of the Corporation. It examines the acquisition and displacement of two earthquake-affected villages for lignite mining and power generation. It probes the microcosm in the nature of a study "from below" of globalisation of Economy and corporatisation of Democracy

Founded in 1972, this loose Parisian movement is known for having given radical visibility to homosexuals during the 1970s in the wake of student and proletarian uprisings of 1968, which had given little space to the liberation of women and homosexuals.

Getting involved is a comedy documentary film that focuses on youth engagement surrounding UK politics. Ross Uwen and his crew are on a mission to get young people involved in politics by any means possible which politicians and other organisations are consistently failing at. Believing that televised news is a great way to become politically educated they try to devise a plan to get young adults watching the news by combining it with adult softcore material to entice viewers to tune in regularly and therefore becoming politically aware and potentially engaged. When you run out of traditional methods you've got to think outside the box and that's what Getting Involved is all about.

Terezin, l'Imposture Nazie

A portrait of the timpani and percussion section of the Dutch Royal Concertgebouw Orchestra.

Portrait of laureate architect Herman Hertzberger as a passionate, humorous, and modest man whose vision on what architecture means for people and society is valuable to this day.

A documentary film about a Serbian folk singer, composer and poet, about a man who is the eternal inspiration of many. The film offers plenty exclusive photos and recordings created during Toma's decade-long fruitful career thanks to the rich archive owned by journalist Nikola Kankaraš.

Routine schedules and cruel fate determined who was cooking, setting tables, washing dishes or serving guests at the renown Windows on the World Restaurant at the top of One World Trade Center on the morning of September 11, 2001. Most of them were immigrants, and they came from all over the world. When they perished, their families and colleagues had to deal not just with their loss, but with a broken immigration system that classified many of them as "illegal." The survivors tell their stories of that day, and the days that followed, in Windows.

Half a million people and millions of sheep and goats cross the rugged Zagros mountains in southern Iran twice yearly to move between summer and winter pastures.

In this era, robotic peo- ple making humanized machine, is it a hopeless tragedy, or the beginning of a brave new world?

"The Arc of Oblivion" explores a quirk of humankind: in a universe that erases its tracks, we humans are hellbent on leaving a trace. Set against the backdrop of the filmmaker's quixotic quest to build an ark in a field in Maine, the film heads far afield - to salt mines in the Alps, fjords in the Arctic, and ancient libraries in the Sahara - to illuminate the strange world of archives, record-keeping, and memory.