Ambula

No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.

A teenage girl growing up in dangerous Khayelitsha township is faced with a difficult decision in the wake of a traumatic event. Olwethu Anita April and Lungisani Dyalvani star in this short film.

An eight-year-old girl tries to build a relationship with her absent father through a class-assigned family tree.

A spirited teenager tricks her older sister into joining her on a deceptively simple outing.

Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

Witek runs after a train. Three variations follow on how such a seemingly banal incident could influence the rest of Witek's life.

The earth shook. The sea roared. And then… There is a small house solitary standing by the seaside. A young girl has been living there alone since that fateful day. Mail is no longer delivered, but even this morning, she’s hanging out the laundry as usual. She’s unaware that all around her, the clothes pegs are quarreling, the pillow argues with the umbrella about the outside world, and the new toothbrush is unsuccessfully trying to charm the grumpy older ones. Do objects exist to be used until they are consumed or broken? Are they afraid of being thrown away once their life cycle is complete? A delicate story of hope in a cruel and gentle world after an unnamed disaster.

The wife of a famous composer survives a car accident that kills her husband and daughter. Now alone, she shakes off her old identity and explores her newfound freedom but finds that she is unbreakably bound to other humans, including her husband’s mistress, whose existence she never suspected.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.

The story is about a businessman who is on his way to see the woman he is having an affair with when he gets stuck in an elevator with a little girl. Through their interaction the man realizes he is still in love with his wife and comes out with a new perspective on life.

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.

A displaced black queer boy finds refuge in his city's underground Kiki Ballroom scene.

Fei is the top violinist of an elite London youth orchestra. When another Chinese violinist arrives to challenge her place in the orchestra, Fei’s anxieties and internalised racism grow to take monstrous physical form. They whisper to her, urging her to be the best, no matter the cost.

The love uncertainties of a young homosexual in search of himself.

A teenage boy finds a stuffed owl on his way home from school. The owl brings him comfort, friendship. He quickly learns there is more to this owl than what meets the eye.

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?

A reflection on this generation’s sexual and existential disorientation.