Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.
After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.
A young man is isolated in his room due to a Covid-19 exposure.
In 2002, serial killer Patrice Alègre was sentenced to life imprisonment for five murders. Gendarme Roussel, the main investigator of this case, believes that he will make him confess to other unsolved crimes in Toulouse. Two ex-prostitutes give a series of names of presumed accomplices of the killer, among them Dominique Baudis, then president of the CSA. He decides to face the case alone. Around him, it is silence: not an official support of his political family. Almost twenty years later, we return to the Baudis affair to try to understand it, with the testimonies of Pierre and Benjamin Baudis, his sons, François Hollande, Camille Pascal and the main protagonists.
Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.
Goodbye Darling, I'm Off to Fight
Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.
On the age of 51, a father leaves his family to live as a carpenter. Away from the family and house burdens, he spends his last 15 years living alone. From the point of view of his child, the idealistic father then changes his mind to let go of everything and lives his dream of traveling.
A documentary film about nothing but footage of things that make a person's life. A young man films short scenes in his home before moving out.
A groundbreaking hyper-meta documentary psychodrama that centers on Cameron Smith's introspective journey through his greatest vulnerability: love, romance, and his relationship with women. As the filmmaker turns the camera on himself, the story evolves into a raw, unsettling, and unflinchingly honest glimpse into the modern "loneliness epidemic". Through an act of psychological crucifixion, Cameron simultaneously holds up a mirror to society's own struggles with isolation and connection.
Five seniors, the eldest is 91 years old, train together in a gym in Rotterdam to keep fit. But the body falters and their environment is getting smaller and smaller. By doing sports, the seniors support each other: origin and social status disappear. The gym fraternizes and gives the elderly unprecedented pleasure. Despite the fanatical sports, the decline is unstoppable. This documentary also shows the seniors alone at home and the confrontational fight against the body that is becoming stiffer, with the realization that that battle is always lost in the long run.
Mona Achache delivers a delicious portrait of her grandmother, Suzanne Achache–Wiznitzer, affectionately nicknamed "Mamé". Short film from the Grandmas Project, a collaborative web documentary that invites filmmakers from across the world to document their grandmothers’ signature recipes.
A Texan begins a cross-country journey in hope of finding the empty loft she keeps seeing in visions.
A year after Betti's passing, her children and grandchildren are still clearing out a house full of objects. Through them, they begin to remember and tell her story. This way, the family leaves behind the sad memory of a terminal illness and replaces it with the joyful person that Betti was and meant to them.
Evi, Finland’s most experienced karaoke hostess, wants to hug her customers’ pain away. With thousands of bars and kilometres behind her, yet again she packs her equipment and travels through the northern landscapes of Finland. Toni, the shyest guy in the world, catches everyone’s eye on the stage. Kari is searching for love and sings in his empty karaoke car repair shop. Elina can hardly walk because of Parkinson’s, but punk songs make her dance. Laura sings because talking is too painful. Karaoke Paradise is a story of how the Finns have found a unique way out of loneliness.
As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.
Like ghosts, the temporarily shut down cruise ships lie in the port of Hamburg. A young man comes into town and is stranded on the riverbank, waiting for a message. He watches couples strolling along in the sunset and gets himself some sweets. In a moment of collective pause, ISLANDS IN THE CITY captures a fragile romance. There is a departure in the air, the destination of which no one seems to know.
If your family photographs could speak, what stories would they share? Interweaving interviews with family artefacts, 'My Lovely Grandma' is an exploration of my maternal family history from the perspective of Molly and the woman she was before she became my lovely grandma.
A multigenerational story celebrating director Sean Wang's two grandmothers, one on his father's side and the other on his mother's side.
Follows Yo, Siyuan and Mia, three young women who, using the mobile application Replika, have formed romantic relationships with virtual partners. This short documentary captures the richness of these bonds, from philosophical questions to intimate moments to the real sense of security and companionship afforded by these artificially intelligent lovers.