Florentina's Workout Naif

The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 ...

A delusional man in a modern day city dresses, acts like, and has the mindset of a cowboy.

Mock -documentary about a Finnish contemporary artist who took the world by a storm.

Escorted by his valet Sganarelle, Dom Juan, a libertine gentleman, brave and hypocritical, seduces women, fights duels, denies his father's authority, and mocks Heaven. Carried away by his passion for women and gambling, he goes so far as to commit perjury. A classic revisited by Mesguich with a lot of visual effects: special effects, magic tricks, imposing sets. A playful staging for this tragi-comic play.

César's Workout Naif

Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with his provocative works. In 2013, Hirschhorn built a monument for Italian philosopher and communist Antonio Gramsci in a public housing project in the Bronx. The contentious artist collaborated with neighborhood residents whose everyday life is impacted by poverty, unemployment and crime. Conflicts and misunderstandings are bound to arise as Hirschhorn’s absolute devotion to art is confronted with the resident’s lack of prospects and fatalistic outlooks. The «Gramsci Monument» becomes a summer-long experiment where diverse worlds collide: blacks and whites, the art elite and street kids, party people and poets, politicians and philosophers. A nuanced film about art, politics and passion.

Exiled, yet internationally celebrated Zimbabwean artist Kudzanai Chiurai's demons come to life as he tries to flee South Africa following increasingly fractious experiences on the Johannesburg art scene. His greatest demon “Black Guilt” is one he can never shake off, this burden of having to speak for his people. But Is this responsibility really a burden at all, or is it actually a superpower? Either way, will Kudzi ever be President of His Own State of Being?

Spit Earth: Who Is Jordan Wolfson? is a feature documentary film about this controversial and divisive artist who in the ensuing five years has only solidified his stature with unnerving and provocative new works that elicit extreme reactions from both critical naysayers and vocal proponents alike. Wolfson is not content to play by the rules of a conservative self-policing art market that favors the status quo, instead preferring to make us squirm as he engages a host of lightning-rod issues facing our society today; homophobia, misogyny, racism, white nationalism, antisemitism and violence to name but a few. Wolfson is an art maker on the world stage whose immersive works take on today’s endemic virtue signaling and politically correct narratives, veritably throwing it all back into our faces.

A follow up to award winning documentary 'Herb & Dorothy', the film captures the ordinary couple's extraordinary gift of art to the nation as they close the door on their life as collectors. When Herb and Dorothy Vogel, a retired postal clerk and librarian, began collecting works of contemporary art in the 1960s, they never imagined it would outgrow their one bedroom Manhattan apartment and spread throughout America. 50 years later, the collection is nearly 5,000 pieces and worth millions. Refusing to sell, the couple launches an unprecedented gift project giving artworks to one museum in all 50 states. The film journeys around the country with the Vogels, meeting artists who are famous or unknown, often controversial, striking today's society with questions about art and its survival.

Parres is a small town on the outskirts of Mexico City, halfway to Cuernavaca. It is a town in passing that has left immutable and imperceptible traces on the highway. Parres II is a bucolic self portrait that implements the use of rain that covers the screen, activating the monochrome outside the traditional frame of painting. The series is composed of three videos.

The camera explores the remains of Tell el-Ful, a building in northeast Jerusalem intended to serve as a summer palace for the Jordanian royal family. Begun in 1966, the building’s construction was halted by the Six-Day War the following year. The building was never completed nor was its early structure removed, and the site is Israeli territory.

Documentation of Lygia Pape’s 1968 performance Divisor - reactivated in the city of Villeurbanne (France) in October 2014. Commissioned by Institut d'Art Contemporain de Villeurbanne / Rhône-Alpes.

A rural American town suffering economically from factory closures finds an unconventional route to recovery with the help of MASS MoCA.

Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.

In 1983, Franz Paludetto acquired Rivara Castle at the foot of the Italian Alps. A century earlier, artists from all over Europe had gathered here to establish the Rivara School of Painting. We witness the story of Italy during the latter half of the 20th century.

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...

This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.

Maurício Dias & Walter Riedweg often say the streets are their studio. From the observation of them and of those who populate them there arise installations about encounters, identity and territoriality. The Brazilian-born Dias met the Swiss Riedweg in 1993. Together they learned that they could boost one another’s ideas. “This marriage became Mau Wal,” says Dias. In this documentary, they present their works and the many characters behind them: people who make day-to-day living in the big cities. Street vendors at a Northeast Brazilian fair in São Paulo, illegal immigrants in their quest for the European dream, street kids and their memories. In stories or in the role it plays, the human element is always a centerpiece to the duo’s work.