The Man Who Couldn't Clap

Jacob & Amelia grapple with the loss of their unborn child.

Super construction worker Bob the Builder is here to save the day! And his helpful crew of machines wants to help! When Spud accidentally knocks off his nose, can Muck and Dizzy sniff out a replacement nose? Who knows? Maybe a mole in a hole. Then, it's Bob to the rescue when Roley the steamroller becomes a runaway sleep roller. Can Bob rescue Roley before he flattens the town? Can Bob save afamily of porcupines from being flattened? Can Bob fix everything? It's no prob for Bob, the can-do construction worker who always saves the day!

Ranger Megan Patel loses her brother, Daniel, under mysterious circumstances. Struggling to understand how he died, she finds herself alone, venturing into the vast pine forest. However, as she follows the trail of her brother into the woods, the trees begin to change and shift around her. Soon Megan arrives in places without any recollection of how she got there. Almost as if something is pulling her deeper into the woods. Something dark and dangerous, that Megan might not be able to escape.

A 2011 film by Jon Claude Bieschke.

A short avant-garde film by Canadian filmmaker Serge de Cotret.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

Long ago in a land with an ailing king, there was a pair of boys who looked exactly alike, a pauper called Mickey and the other, the Crown Prince.

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

Short film by Brazilian filmmaker Ozualdo Ribeiro Candeias.

On a late night train travelling across India, a young man starts to let his nerves get the better of him as he becomes convinced that the shadowy man sitting opposite him is someone who intends to blow up the train with a suitcase bomb.

A young polar bear leaves home for the first time, but finds it difficult to bid her mother farewell.

My Moon is about Earth's relationship with Sun and Moon. The story revolves around the sad nature of the way they have to co-exist, as Earth needs both emotional and practical values from both the Sun and Moon.

A man falls victim to the temptation of focusing on the horror stories of others’ lives, instead of evaluating issues within himself.

Tamiris arrives from the other side of the river, from Brazil, to meet Luci. A past and a latent present are discovered between them, trying to cover up an uncertain future

In the Purépecha community of Paracho, the Torres family meets from time to time to build huge flying balloons on which they put weeks of work, with the only so that together they can release the bad emotions that are carrying with the pass of the time.

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

A young gangster is torn between right and wrong on the day of his 18th birthday.

Commissioned by the Exploratorium in San Francisco, Paul Clipson's five-part COMPOUND EYES cycle delves into the otherworldliness of the natural world. In training his Super-8 camera on insects and other "minor" invertebrates, Clipson draws the eye into an unseen realm, one so delicate as to simultaneously tempt and refuse the touch. Following the surrealist desire to make the familiar strange and the strange familiar, Clipson relates this micro-landscape to the built environment. Electronic musical motifs supplied by frequent Clipson collaborator Jefre Cantu-Ledesma add another layer of inquiry, one tuned to the unspoken space between wonder and terror. This first entry in the series keys the viewer's vision to a single drop of dew on a blade of glass. Wisps of eyelashes, dandelions and insect limbs seem to brush against the lens in a trembling intimation of seeing.

16mm | color | filmed in San Francisco | music by Young Moon