Croûte-Mousse

A comic allegory in which a runaway "city" on legs matches wits with a wily farmer. A farmer has an encounter with a runaway "city" (which devours its environs). He deserts his rural home for the imagined joys of urban life.

The cat and mouse are in their usual game of chase-and-pursue until the mouse hides in a pickled-herring barrel. The cat gets intoxicated from inhaling the fumes and immediately becomes the mouse's newest best friend. He defends the mouse from a mean alley cat, and the mouse invites him to come home with him. There, the mouse takes care of him and sobers him up, and the cat immediately begins to chase him again. He reaches the barrel again and regains his newest best friend. Charlie Chaplin deserves an (uncredited) story listing.

Created by Noburo Ofuji, who had been cartoon making since the 1920s, often with decorative paper cutouts. The character animation looks like it was done 15 years before, but a lot of the elements are highly original; design (those trees!), use of camera focus. Heavily musical in a manner that recalls animation's earliest use of sound. The lesson here is: "If you can't count on your friends, travel alone".

Two men in adjoining duplexes, good friends, are enchanted by the song of a bird. One buys a small harmonica and learns to play it; he keeps his neighbor awake. The neighbor buys a larger harmonica, and an arms race ensues; the instruments get larger, until it's a piano vs. a pipe organ, and then they start bringing in larger groups of friends until an entire orchestra is playing the 1812 Overture. The houses collapse from all this, atop the dueling orchestras, and on their way up to heaven, the man puts his small harmonica up for sale.

A man drives his car furiously down a narrow road, surrounded by a vast forest. When he encounters a deer in the middle of the road he makes a villainous attempt to ram it. However this particular hit and run has jaw crushing, battering consequences.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

The film centers on a solitary character who lives alone in an apartment, where strange, dreamlike events blur the lines between perception and reality. As the door closes behind him, multiple versions of himself emerge — each moving in unison yet representing fragments of his internal world.

In the style of a diary, the film uses black and white photo retouching to show two good friends from Pest falling in love with a girl and finding themselves in a strange love triangle.

The film focuses on the thoughts inside the head of a man, an astronaut scheduled to go to the Moon. As he ponders the flight, he laments having an “ordinary” name he fears will not resonate throughout history. His thoughts lead him to consider some of the pioneers of flight-Icarus and his wings, the Montgolfier brothers and their balloon and the Wright brothers and heavier than air flight.

It's an afternoon in Versailles, during the reign of Louis XIV.

A world famous conductor suffers while leading a mediocre orchestra.

The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.

This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.

A cat named Lorenzo is dismayed to discover that his tail has developed a personality of its own.

Remote and alone, various personalities share feelings of solitude in the interior of a labyrinthine house

In a dismal and decadent world, a little Saint cares for various beings with suicidal tendencies. A strange visit warns the Saint not to interfere with the supreme order of things, whereby the natural law of martyrs takes precedence over kindness and affection

Norman McLaren instructs Grant Munro on the movements he is to make. The film technique for Two Bagatelles is pixillation, where the actor is animated frame by frame, as in the film Neighbours/Voisins.

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

At the end of the eighth day the Creator has taken refuge in a dark dungeon . Obsessed with transcending he manipulates life to the extreme and tries to engender the perfect being that will immortalize him

In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.