Tiverton Canal Co. 50th Anniversary

Bas Jan Ader rides his bike into a canal in Amsterdam.

An immersive journey into the world of wild horses, Wild Beauty illuminates both the profound beauty, and desperate plight faced by the wild horses in the Western United States. Filmmaker Ashley Avis and crew go on a multi-year expedition to uncover the truth in hopes to protect them, before wild horses disappear forever.

This documentary follows various migratory bird species on their long journeys from their summer homes to the equator and back, covering thousands of miles and navigating by the stars. These arduous treks are crucial for survival, seeking hospitable climates and food sources. Birds face numerous challenges, including crossing oceans and evading predators, illness, and injury. Although migrations are undertaken as a community, birds disperse into family units once they reach their destinations, and every continent is affected by these migrations, hosting migratory bird species at least part of the year.

As „wings of men“ they became the faithful companion of a great nomadic nation thousands of years ago. Today, 28 years after the Soviet occupation, the little horse is an essential part of the cultural heritage and the search for identity of the modern Kyrgyz people. Based on its own story, a so called „good brown horse“ leads through the film and offers an insight of what it could mean to be „todays wings of men“. Told by a horse’s voice and through its eyes, this short film still is a documentary, but also a poetic journey to a nomadic culture.

The larger than life true story of how a barmaid in a poor Welsh mining village convinces some of her fellow residents to pool their resources to compete in the "sport of kings" with a racehorse they would breed and raise.

Caballos

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

Fueled by stunning footage, this stirring documentary considers wild horses' role in the American psyche and their dwindling numbers in today's West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

This short documentary offers a humorous look at horse-pulling contests in Ontario and the people who prepare for them. We travel from the farm to the contest, where excitement runs high and the quips do not lack in local colour. Which of these magnificent creatures will be able to pull the heaviest load and win the prize?

Samuel Grey Horse, an Indigenous equestrian from Austin, Texas, is known for rescuing horses from being put down. After a riding accident lands him in a coma, Grey Horse experiences an afterlife vision that changes his perspective on the world and his place in it.

A horse and cart carrying two nuns is stopped by two men with fixed bayonets.

A musical, and also a reflection on watching, on trying to escape an anthropocentric gaze and also on watching itself in cinema. Featuring mares and horses: Triana, Víctor K, Bambi Sailor, San Special Solano, Buck Red Skin, Onkaia, Cool Boy, the donkey Agostino, the mule Guapa. And also Alfredo Lagos, Raül Refree, María Marín, Pepe Habichuela, Virgina García del Pino, María García Ruiz, Pilar Monsell, María Pérez Sanz.

Dutch immigrant, Harry deLeyer, journeyed to the United States after World War II and developed a transformative relationship with a broken down Amish plow horse he rescued off a slaughter truck bound for the glue factory. Harry paid eighty dollars for the horse and named him Snowman. In less than two years, Harry & Snowman went on to win the triple crown of show jumping, beating the nations blue bloods and they became famous and traveled around the world together. Their chance meeting at a Pennsylvania horse auction saved them both and crafted a friendship that lasted a lifetime. Eighty-six year old Harry tells their Cinderella love story firsthand, as he continues to train on today's show jumping circuit.

Documentary about four friends on a 3,000 mile journey across the American West on horseback.

An old, broken morin khurr (horse head fiddle) compels renowned Mongolian singer Urna Chahar Tugchi to take a road journey to Ulan Bator and the steppes of Mongolia.

In Turkmen language, Atlan means "mount a horse and depart". Horse is the most important element in the life of Iranian Turkmen. That's why courses are some of the most significant social events in their land, Turkmen Sahara. Turkmen Sahara is a region in north eastern Iran and is homeland to Iranian Turkmen. Ali is a Turkman with his life, like many of his peers', intertwined with courses. Now his wedding depends on his success in courses. This documentary film is about Iranian horses.

A creation myth centered around a canal in Mesa, Arizona.

A partially-animated documentary about the preservation and restoration of the canal system in Yanagawa, Fukuoka

Film made at Hyde Park Corner in 1896 by an unknown filmmaker. It looks south west across Grosvenor Place. The southern wing of St George's Hospital (today the Lanesborough Hotel) can be seen on the right of the picture. The road stretching away in the centre of the picture is Grosvenor Crescent. The busy two way horsedrawn traffic movement is seen on what would today be Grosvenor Place and Apsley Way (the road layout now is different to 1896). The approximate camera position would be today on Apsley Way, just east of the Royal Artillery Memorial. Not to be confused with another Hyde Park Corner film by British Pathé made in the same year but with a different view. (That film looks north towards the triumphal arch at the corner of Hyde Park next to Apsley House.)

In this short film Bert Haanstra gives his vision - from the water – of a tranquil Holland. During filming he held the camera upside down and afterwards put the images ‘up right’ again in the film. By doing this, we see the ‘usual’ waterfront, but transformed by the rippling of the water. In this way Mirror of Holland became a modern looking experimental film. However this did not devalue the Dutch sentiment regarding waterfronts that are so trusted to so many.