The Singing Gunman

The film is set in Fukagawa in the early Showa period and depicts a fateful confrontation between two men who rise and fall in a black stream, trying to live a real human life, violating the cruel laws of the passing generation.

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

The film is inspired by Miyamoto Musashi who was one of the most famous Japanese ronin and warrior philosophers. This very alternate and visual interpretation of the fate of Miyamoto is brought into a mixture of contemporary Yakuza underworld and a hypnotic Samurai after-life. We flow seamlessly between through life, death, rebirth and the afterlife and challenge our traditional definition of the past, present and future. The film explores the agonizing and painful processes that go through the shattered mind of Miyamoto, as he desperately tries to hold on to the only thing he has left - The rapidly fading memories of his undying love for a woman named, Otsu. A love that for a Yakuza-Samurai is strictly forbidden and which will prove to have catastrophic consequences.

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