Indochine, une révolution musicale

This is the story of the bodybuilder, Martial Artist and actor who wrote his own destiny and walked his own path. A legendary tale that's never been told on-screen before.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

A provincial man comes to the big city and finds true love.

In a field dominated by men, five pioneering camerawomen Mary Rogers, Cynde Strand, Jane Evans, Maria Fleet and Margaret Moth went to the frontlines of wars, revolutions and disasters to bring us the truth. As colorful as accomplished, these brave photojournalists made their mark by capturing some of the most iconic images from Tiananmen Square, to conflicts in Sarajevo, Iraq, Somalia and the Arab Spring uprising. But the world doesn’t know it was these women behind the camera. In the midst of unfolding chaos, the pictures they took for CNN both shocked and informed the world. This feature documentary by director Heather O’Neill tells their remarkable story.

A visit to the factory in Las Vegas, Nevada, where the world's best-selling male adult toy is produced, the Fleshlight.

A documentary about the Synthwave scene, nostalgia and the universe of creating sounds. A love letter to human fascination and the collective memories of a universe, that never existed.

Forty years after the release of Michael Jackson’s ‘Thriller,’ the best-selling album of all-time, director Nelson George takes fans back in time to the making of a pop masterpiece, featuring never-before-seen footage and candid interviews.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

Saturday Night at the Capitol An incendiary show from 1982 at the Capitol Theatre, Sydney, shot for the band by award-winning filmmaker Dave Bradbury on 27 November 1982 for ABC radio station Triple J. Track listing "Only The Strong" "Brave Faces" "Short Memory" "Knife's Edge" "Power and the Passion" "Armistice Day" "No Time For Games" "Quinella Holiday" "Lucky Country" "Don't Wanna Be the One" "Burnie" "Powderworks"

It is estimated that the mythical city of Atlantis was swept away by a Tsunami in 9600 BC, vanquished from existence - but recent findings of ancient maps, monuments and submerged artifacts indicate that the Lost Kingdom may in fact have existed. The recent discovery of mummies, an underwater Stonehenge, monoliths, ancient drawings and much, much more could provide confirmation of one of Mankind's oldest mysteries.

Making of documentary for the 2006 horror film 'Driftwood'.

Making of documentary for the 2006 horror film 'Hatchet'.

"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

Jimmy Rabbitte, just a thick-ya out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan.

As summer ends, Ren's bandmates and childhood friends are leaving for college. He struggles to write the lyrics of their final song.

Over the course of two years, filmmaker Jamie Roberts meets those spreading extremist Islamic fundamentalism in Britain, including a bouncy castle salesman who is now one of the world's most wanted men.

The film follows three renowned vocal coaches and their students during private lessons. As the pupils prepare for their upcoming final evaluations, perfect technique is expected to produce impeccable results. Listening primarily to their voices, we feel intensity and intimacy arise between teachers and students – an atmosphere in which transcendence is being built.

SETLIST: Iowa 742617000027 (sic) Eyeless Wait And Bleed Get This Before I Forget Sulfur The Blister Exists Dead Memories Left Behind Disasterpiece Vermilion Everything Ends Psychosocial Duality People=Shit Surfacing Spit It Out

Hungarian band Carson Coma plays songs from their album "IV" in Pusztazámor

Movie and stage icon Debbie Reynolds hosts the making of "Singin' in the Rain". The short documentary includes Donald O'Connor, who played the comical "Cosmo Brown", Stanley Donen, one half of the directors next to Gene Kelly, and Kathleen Freeman, who played Phoebe Dinsmore, Lina Lamont's (Jean Hagen) voice coach.