Indochine, une révolution musicale

A documentary film about Don Bernstine from Hard Rock Cafe visiting musicians to try to get memorabilia from them.

On the 14th February 1988, Butetown Police discover the body of a local girl near Cardiff.

A documentary about dancer Heinz Bosl who died in 1975 - aged 28.

The metalcore icons perform a riotous headline set.

Concert film and documentary featuring live footage from melody's first solo live tour recorded between June and July in Tokyo, Nagoya, and Osaka.

"Like" it or not, Facebook wants you to share everything, but how much information are they willing to share with you?

THE GET LOST LOSERS follows the most cantankerous rock band in Hollywood as it prepares for a super-clutch industry showcase and one last shot at fame. Official Selection: Montauk Film Festival & Culver City Film Festival. Winner at FOTA, The Canadian Cinematography Awards and The Studio City Film Festival.

Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.

Dolls, cunts and daddy issues – a personal portrait about being a woman.

Cornelis Vreeswijk was one of the biggest artists in Sweden. 33 years after his death, his songs are still played daily on the radio and on various streaming services. Cornelis Vreeswijk has a special position in Swedish music history and has reached out to new generations of listeners and artists.

A grieving father in a downward spiral stumbles across a box of his recently deceased son's demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.

Hit the road with Creative Differences and go behind the scenes of their first tour.

On May 31, 2007, hundreds of armed men, from the Federal Police, in a true war operation, pulled out of the factories, the members of the Factory Commission elected by the workers, swearing in a federal intervener. The workers and their leaders talk about their struggles, day to day in the occupied factories, the reduction of working hours from 44 to 30 hours per week, the agreement with the Chavez government of Venezuela to build a house factory, Petrocasa . They also narrate the terror during the intervention, all kinds of humiliation to which they were exposed, anguish and perspectives.

At 14, best friends Robb Reiner and Lips made a pact to rock together forever. Their band, Anvil, hailed as the "demi-gods of Canadian metal" influenced a musical generation that includes Metallica, Slayer, and Anthrax. Following a calamitous European tour, Lips and Robb, now in their fifties, set off to record their 13th album in one last attempt to fulfill their boyhood dreams.

Critical review of the English punk rock band's 1979 album, 'London Calling'. The program features input from industry experts, including film director and DJ Don Letts, rare performance footage and clips from songs such as 'Should I Stay Or Should I Go', 'White Riot' and 'London Calling'.

Kana Nishino’s second DVD featuring an unplugged live, a documentary and an interviews. This is meant to run as a film with the unplugged live, interviews, and documentary all playing together intertwining.

Le Business du bonheur

Animals shock us with the most bizarre appearances - some even look like they've been dressing up. But the weird and wonderful shapes and colours of nature are vital to the animals' lives. Sometimes they're disguised to help blend in, other times they are designed to stand out and show off. But whether it's a monkey in make-up or a salamander's toxic stripes.

The life and times of comedy rock band Mamonas Assassinas, from their beginning to their breakthrough in the late 1990s.

A study of the Group Theatre, a company that changed the face of American drama. The Group was founded in 1931 by Cheryl Crawford, Harold Clurman and Lee Strasberg, who were strongly influenced by the naturalistic acting of Konstantin Stanislavski’s Moscow Art Theatre.