Introspection

Les voyages de L'Atalante

A feature-length documentary exploring the history, production, and legacy of the cult horror film Hardcore Poisoned Eyes. Featuring new interviews with cast and crew, Rewound: Hardcore Poisoned Eyes examines the film’s origins, underground reputation, and restoration from original source materials. Produced in conjunction with the film’s 25th Anniversary Blu-ray release.

Why is it prohibited to sit in food courts if you will not order foods? Why did Isko Moreno, newly elected Mayor of Manila, suddenly withdrew the licenses of bars near university establishments? What is life at night in Poblacion, Makati for Prostitutes? These are the questions that intrigued the group of students from Adamson University from tapping the nameless dilemma of the business industry and figuring in the end if they are ethical or not.

Música Clássica é pra Quem?

Filmmakers revisit Inukjuak, the Inuit village where Robert J. Flaherty filmed Nanook of the North in the early twentieth century, and examine the realities behind the ground-breaking documentary.

Experimental mash-up of circus and sideshow footage.

The Tipo Tranquilo parties arose from the initiative of three friends (Gabriel, Erick and Alejandro), who were looking for something different in the Guatemalan electronic scene. He realized several factors that affected deejays and true music lovers, for that reason they started this movement of having various parties in different places. Inviting friends in a hidden way, without much publicity, they can only be reached through a map.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

A group of elders spends their weekdays in a retirement home in Sandim, in the north of Portugal, where they talk, do arts and crafts, practice yoga and pray. We follow them between October 2012 and March 2013, when an economic crisis overshadowed Portuguese society and unemployment rates reached record levels. Meanwhile, arrangements are made for the Carnival ball. Will they bring the first place home this time?

Hot Spots: Martin Parr in the American South, a thirty minute documentary short, examines the photography of Magnum's most controversial and prolific member as he gathers images for his first commission by a major American art museum, the High Museum of Art in Atlanta. From the first shot at the Cactus Car Wash to the unusual travel tip offered to Martin at the Atlanta Steeple Chase six months later. Psychobillys, tailgate partiers, roller derby teams, art collectors and gamblers...Martin Parr's energy and x-ray vision burn through the South like a modern day William Hogarth's. The film features interviews with Susan Meiselas, Philip Gefter, John Gossage and Julian Cox. Hot Spots shows us Martin Parr at his most outrageous.

Jorge Luís Altuve is a young Guatemalan, passionate about mountaineering and a lover of his country. After the COVID-19 crisis and the lack of transparency in the execution of funds by the government of Alejandro Giammattei, he raised a wave of indignation that led thousands of Guatemalans to demonstrate. Jorge Luis attended the central square, when PNC agents began to intimidate the peaceful demonstrators. He and other citizens were arrested without having carried out an act of vandalism.

In 1996, Damon Hill claimed the Formula 1 world championship—defying the odds and overcoming familial tragedy to step out of his father’s shadow and become a racing legend in his own right.

This is Black is a conversation with and for the black community. We aim to dismantle the stereotypes and get rid of the stigmas by telling a few people's stories! Embark on a journey of spoken word and true stories!

A thrilling comedic documentary attempting to uncover the mystery of who is responsible for one of the most infamous bloopers in cinematic history.

Telugu Film Director Vamsy, reminisces about his early days as an Assistant Director Working at "Seethakoka Chilaka" sets with his Mentor Bharathi Raja and how he made a Unique Trailer Cut for the Film.

Telugu Film Director Vamsy Expresse his Train Journey with Music Direcor Ilayaraja.

Follow the cast and crew of Livescreamers across their five day shoot, and go deep behind the scenes of how the innovative horror film was brought to life.

Following the success of Dude, Where's My Bus? (2024), Gio Petti's new documentary The Train to Nowhere shifts focus from buses to rail, centring on the Line 2 expansion of Ottawa’s Light Rail Transit (LRT), a project that many commuters hoped would mark a turning point for transit in the city. The documentary follows Petti as he documents the circumstances surrounding the expansion, the project's transition to a hot-button political issue, and the broader impact on riders who depend on the various systems every day. It also explores themes of retaining optimism and taking charge for change in the transit system in the face of cynicism.

Monte Hellman was born in 1932. By 1986 he made eight features, but had not directed for six years. I had made as many documentaries, but had not turned a foot of film through a camera for two years. I decided to break the silence by spending a day with him. Nine rolls were loaded into the camera. We talked until either we or the camera ran out.

For five years, Stephen McCoy documented street life in Boston. This is what he captured.