The Cowboy Capital

This is the story about the life of the visionary Nelson Mandela. We follow him from 1918 when he was born, the son of the Chief of the Thembutribe. Through the years as a political activistc and political prisoner, to 1994 when he became the President of South Africa.

A woman seeking revenge for her murdered father hires a famous gunman, but he's very different from what she expects.

A senator, who became famous for killing a notorious outlaw, returns for the funeral of an old friend and tells the truth about his deed.

This film is about Zagor’s revenge upon four men that persecuted his family. Rodrigo, Lopez and Şerif take the mine that Zagor discovers. They don’t even give him a share. They deposit him famished, thirsty and on foot in the desert. Along the journey, he meets Mr. Taylor and his daughter. Mr. Taylor teaches Zagor how to use a gun quickly. Zagor goes back and settles the score with those who have done him wrong. But the villains do not sit idle. They kill Zagor’s sibling Katito, mother, and father. They also kill Mr. Taylor and steal his horse. Zagor marries Mr. Taylor’s daughter. He then exacts revenge on Rodrigo, Lopez, Şerif and Karlo one by one

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.

Legless Southern inventor Dr. Arliss Loveless plans to rekindle the Civil War by assassinating President U.S. Grant. Only two men can stop him: gunfighter James West and master-of-disguise and inventor Artemus Gordon. The two must team up to thwart Loveless' plans.

Chon Wang, a clumsy imperial guard trails Princess Pei Pei when she is kidnapped from the Forbidden City and transported to America. Wang follows her captors to Nevada, where he teams up with an unlikely partner, outcast outlaw Roy O'Bannon, and tries to spring the princess from her imprisonment.

Roy is a ranch hand and a drifter. He takes a young man into his care and helps him to grow up.

Out-of-work cowboys Kansas Jones and Chito Rafferty are offered jobs at pretty Dusty Willis' ranch after saving her from a beating by saloon owner Clint Burrows. Dusty's good-hearted but weak-willed brother Harry, adding to his $3000 gambling debt to Willis, reluctantly agrees to pay it off by allowing the Ringo Kid, Burrows' vicious hired gun, to rustle cattle from his sister's ranch. Kansas intervenes, deters the rustlers and persuades Harry to confess his involvement to Dusty. Kansas, sent into town by Dusty to pay off Harry's debts, suddenly finds himself on the wrong side of the law, wrongly accused of murder and must rely on Dusty's belief in his innocence for his salvation.

In a small, dusty border town, two long-time best friends of the mysterious gunman Josey Wales are brutally murdered by marauding rurales. The rurales, led by the beastial Commandante Escobar, head back to Mexico with gambler Ten Spot as hostage. Told of his friend's peril, Josey sets out on a trail of bloody vengeance.

The "gentleman" is played by John King, but the star of the show is J. Farrell McDonald, cast as a chronic gambler named Coburn. When the old man loses every penny he has, wandering cowboy Pokey (King) comes to the rescue by grooming a wild stallion for a successful racetrack career. Everything comes to a head during the climactic Big Race, with the expected (but still satisyfing) results. Ruth Reece and Joan Barclay share the leading-lady responsibilities, while the villainy is in the capable hands of Monogram's ace utility actor Craig Reynolds.

Limeville, the city of lime, fears it's legacy might be destroyed when the heirs of the land show up to claim the town and replace the lime with oranges. But there's only place for one fruit in this town...

In 1889, seventeen men die under mysterious circumstances, and spooked by recent events, the miners who populate the town leave in droves until there's nothing left but a shell of a community.

An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn.

Nubia: The Forgotten Kingdom

Ruralista: você não nos alimenta e não nos representa!

A self-destructive ex-Mormon finds out her estranged, abusive father is on his deathbed in Provo, Utah – so she road trips across the country to reckon with her past, current friend-with-benefits in tow.

Through interviews with leading psychologists and scientists, Neurons to Nirvana explores the history of four powerful psychedelic substances (LSD, Psilocybin, MDMA and Ayahuasca) and their previously established medicinal potential. Strictly focusing on the science and medicinal properties of these drugs, Neurons to Nirvana looks into why our society has created such a social and political bias against even allowing research to continue the exploration of any possible positive effects they can present in treating some of today's most challenging afflictions.

Trials and Tribulations is a film project that aims to captivate the audience with a knight's tale centred around an impossible mission. From the very beginning, my intention was to create a visually stunning experience by incorporating large-scale slow cinematic shots. The concept was simple yet powerful, as I wanted to explore the art of cinematography and utilise a deliberate slow tempo to enhance the atmosphere and drive the storytelling.