This exploration of Japan's fascination with girl bands and their music follows an aspiring pop singer and her fans, delving into the cultural obsession with young female sexuality and the growing disconnect between men and women in hypermodern societies.
Milet embarked on the nationwide hall tour "milet live tour visions 2022" from late January to late April 2022, featuring her second full-length album visions . The semi-final performance held at Tokyo International Forum Hall during this tour (her second nationwide hall tour) was recorded in its full uncut version
milet's one night only concert held at Kanagawa KT Zepp Yokohama on March 6, 2021
Concert film featuring milet's 1st live "eye" on November 11, 2019 at LIQUIDROOM
Tokyo Night Cruise on the Yurikamome Line The "Yurikamome" line, connecting Shimbashi and Toyosu, is popular for its scenic route past commercial facilities and high-rise buildings. Departing Shimbashi at dusk, the train curves right to Shiodome, then passes Takeshiba, Hinode, and Shibaura-futo stations before crossing the Rainbow Bridge. After the bridge, it enters Odaiba, where Mount Fuji’s silhouette is visible. This once-vacant area is now densely developed. The train passes Toyosu Market before reaching Toyosu. On the return journey, as darkness falls, the lights of Odaiba create a captivating glow. The vibrant nightscape, captured in high-definition 4K 10-bit HDR, provides a stunningly detailed experience.
Documentary of Nana Mizuki's summer tour of LIVE SENSATION, filmed at Shibuya Public Hall with Zepp and Hal Another Side.
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.
Concert film featuring the final day of Arashi's special concert "BLAST in Miyagi" held on September 23, 2015 at Hitomebore Stadium in Miyagi (Miyagi Stadium).
Concert film featuring Mizuki Nana's LIVE UNION 2012 held at QVC MARINE FIELD on September 8, 2012.
Sphere's live film from day two of their one man live "Climax Stage" at Yoyogi National Gymnasium on September 18, 2001.
μ's Final LoveLive! μ'sic Forever♪♪♪♪♪♪♪♪♪ was the farewell concert of the fictional idol group μ's from Love Live! School Idol Project, celebrating their career with emotional performances and marking the end of their activities.
Sphere's film of their eternal live tour 2014 on November 16, 2014 at Makuhari Messe Event Hall.
Sphere's film event of their day two of their Nippon Budokan live event "Start Dash meeting Ready Steady 5 Shuunen! in February 2014.
Profile of the producer and former studio head of 20th Century Fox in the 1970s, Alan Ladd Jr.
In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger's Black Narcissus. Beyond John Huston's The African Queen and King Vidor's War and Peace, the films of the British-Hungarian creative duo (The Red Shoes and A Matter of Life and Death too) guaranteed immortality for the renowned cameraman whose career spanned seventy years.
Concert film featuring Nana Mizuki's Live Circus 2013 filmed at Seibu Dome on August 4, 2013.
Concert film featuring Nana Mizuki's WINTER FESTA filmed on January 19, 2014 at Ariake Colosseum.
Nana Mizuki's MTV Unplugged live event filmed at MAIHAMA Amphitheater on October 23, 2016.
Live footage of final performance of legendary premium live "Nana Mizuki Live Gate" held at Nippon Budokan for seven days. Includes popular anime theme songs, "Vitalization", "STARTING NOW!", and "Destiny's Prelude" from her best album "The Museum III", and classic live killer tunes "Power Gate" and "SUPER GENERATION" and more.
Exploring the transformative impact of artificial intelligence in an industry of imagination, “ARTIFICIAL: Media Production in an Age of AI” delves into how AI tools are currently revolutionizing various stages of media production and examines the balance between technological advancement and human creativity, attempting to spark conversation about the future of storytelling in an age of progress. It also addresses the possibility of government regulation and the broader ethical concerns implicit in the immense capabilities of AI technology. The documentary integrates extensive research, survey results, and insightful interviews with industry professionals.