Revealed: How to Poison a Planet

Povo da Floresta

The 6 Guarani villages of Jaraguá, in São Paulo, fight for land rights, for human rights and for the preservation of nature. They suffer from the proximity to the city, which brings lack of resources, pollution of rivers and springs, racism, police violence, fires, lack of infrastructure and sanitation, among others. Unable to live like their ancestors, their millenary culture is lost as it merges with the urban culture.

Andean communities fight to protect their water from contamination by mining companies.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

In Peruvian Amazonia, for the first time in many years, a Shipibo–Konibo community prepare to perform the Aneshiati ceremony: a time of dance, song, festive clothing, and drink—including the sacred tea ayahuasca.

It became world news in October 2019 when economic reforms in Ecuador led to gas prices suddenly shooting up by 123 percent. People from urban and indigenous communities united in protest. In The Rebellion of Memory we follow the events through their eyes, as the country’s capital, Quito, descends into smoke-filled chaos.

Documentary about the dangers of toxic waste and its long-term consequences.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

A vision from Limbo, where the canoeist of the eternal lake floats in his boat, between sleep and wakefulness. When he sleeps, he dreams of the everyday of a parallel time. when he wakes up, the same song haunts him again and again. his boat, “ara” (time, in guarani) travels through time like a shooting star.

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

The year 2017 was marked by several major Atlantic hurricanes (including Harvey, Irma and Maria), flooding in South America and a serious earthquake in Mexico. In Europe, deadly forest fires struck Portugal. Madagascar was flattened by a Category 4 typhoon that wiped out the country’s infrastructure. The financial costs are unprecedented with billions of dollars of damage. Thanks to spectacular footage filmed at the heart of the action, this film shows a selection of the most notable natural disasters to strike this year. Expert analysis and photo-realistic animation allow the audience to understand the forces at work behind these catastrophes.

Benito Arévalo is an onaya: a traditional healer in a Shipibo-Konibo community in Peruvian Amazonia. He explains something of the onaya tradition, and how he came to drink the plant medicine ayahuasca under his father's tutelage. Arévalo leads an ayahuasca ceremony for Westerners, and shares with us something of his understanding of the plants and the onaya tradition.

Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?

Os Carajá

Funeral Bororo

A group of people bows down as a ritual for religious ceremonies. This community shares a belief named Sapta Drama, one of the native religions in Indonesia that uses bowing down as a worshiping medium.

This documentary rescues the valuable work of Martha Colmenares, an indigenous woman from the Zapotec highlands, who in the 1980s filmed the life and customs of her own community, becoming a pioneer of indigenous documentaries. And for the first time, her forgotten story, for forty years, will no longer be invisible.

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

In an era of throw-away ease, convenience has cost us our well-being. Plastics have been found inside our bodies— in our colons, our brains, and even in mothers’ developing wombs. Scientists around the country are sounding the alarm, but without public buy-in, there is little that can be done. How much evidence do we need before we decide to take action?

Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.