El hombre que andaba demasiado

An experimental study of nature through three stories and how we have destroyed it.

El hombre que no dejaba de mirar atrás

El Hombre Sin Rostro

A young woman teaches commercial writing and makes her students practice by writing letters addressed to an imaginary recipient from Vienna. One day, the love letter the woman writes to this non-existent man is accidentally sent by one of her students –and falls into the hands of a real person.

VISITAS

A Russian emigrant in Scandinavia sends her son to school, but he does not return. In search of a child, she finds herself in a dead end: according to the laws of the "new" juvenile justice, her son is the property of the state.

A gay Egyptian couple return from America for a family emergency. In this homophobic environment, their secret threatens to unravel under anxiety, unease, and suspicion that someone is using witchcraft to send them back.

Secret Dalliance

A struggling entertainer trying to keep his dance company afloat with the help of his four daughters. However, his wife is worried about the disrepute the profession is bringing the girls and diminishing their chances of marriage.

A theater director and a young director await an actress’s decision on a role, triggering a scathing critique of how TV’s degraded practices and commercial pressures marginalize true artistry. Through the director’s expansive monologue, inspired by Juraj Kukura’s ethos, he reflects on his life in culture, his convictions about theater, colleagues, and the survival of artistic integrity in today’s climate.

What happens after we die? How will we experience that moment? How will we see our loved ones from the other side? A soldier returns from war… but where to? To whom? And how will he be received?

The Real Beings

In order to fulfill the expectation of her mom and her grandpa, Nam is raised as a boy since she was born. She dresses like a boy every day before going to school, gets changed back to a girl’s uniform, and puts on a boy’s outfit before heading home. Her hysterical mom anticipates the return of her husband, which is a dream never come true. Nam finds her only shelter at her childhood friend Yeung’s house, a place where she can finally be herself, i.e. doing laundry for her underwear. But her life changes on the day when Yeung disappears.

Once a high-flying financial advisor, Hay Man loses everything and moves from her Deep Water Bay mansion to her cousin's modest home in "Deep Water Bo". Hoping to restore her fortune, she agrees to coach a scrappy U12 football team led by her cousin Ying and neighbourhood children for a league organised by a clueless rich heir. What begins as reluctant duty soon transforms into true mentorship, as Hay Man helps the kids confront struggles and regains her own sense of purpose. When the underdog team reaches the finals, she must choose between luxury past and newfound identity.

Kaoru enjoys himself at clubs but decides to make videos...

Red Kid abducts Monk Tripitaka to turn his flesh into a feast to treat his mother Princess Iron Fan. Monkey King is subdued. Red Kid is taken as a disciple of the Goddess of Mercy. As Monk Tripitaka and his disciples reach the Flaming Mountain, they are unable to pass through it. The monk sends Monkey to borrow the princess's magic fan to disperse the fire. But the Princess still bears a grudge over her son’s destiny, wielding her fan to slap Monkey away. Monkey transforms into a bug, landing in her tea and hitting her stomach. In pain, the Princess answers his request, but she lends him a fake fan. With his request turned down by Ox King, Monkey disguises as Ox to beguile the wife and get the fan. Ox King transforms into Pigsy to snatch back the fan. Taoist God Pagoda arrives to subdue Ox in the company of Red Kid. Ox finally relents and yields the fan, which extinguishes the flames and sees the monk and his disciples safely off to a new phase of their journey.

The demonstration against the eviction of the Harmonie Damai nursing home reunites Sendja and Sundari, two old friends who are now separated by betrayal and are struggling and tracing old memories.

Gorete, a mature woman from the countryside, embarks on her own path in search of the freedom she has never experienced. After decade in a difficult relationship, she will face whatever it takes to spend the holiday with her niece Joana.

The film is based on the story of the times of the Kokand khans, the love of the talented young man Anvar for the girl Rano, and their difficult fate.

The story of an ordinary park bench where the lives of different young people intersect.