A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
A screenwriter contacts a prostitute to research a character of his new script.
A criminal gang conspire to rob the home of a wealthy banker and his two daughters. To do so, they first lure the banker from his home, then have a trunk containing one of the gang delivered there, where it is taken into the daughters’ dressing-room. One daughter, at her mirror, sees the trunk begin to open, and, using her small cousin as a messenger, warns her sister of their danger. The younger daughter telephones the police, and only after some difficulty persuades them to come to their rescue. The police arrive after the robbers have broken into the house, but succeed in overpowering and capturing them.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered -- a crime she had described in her latest story.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
Aging painter Louis and his wife Michelle struggle to cope with Louis' advancing dementia.
A paleontologist gets a tip from an oil worker in the Badlands that may set her career back on track.
After Saturn XVI crashes back to Earth, ex-astronaut Arthur struggles with an infection. Richard and his friends are blind to it's origin but his victims won't be. The Doorway is open.
The Fountain of Bakhchisaray
Unexpectedly reunited with his daughter amongst the ruins of the world as they knew it, a father is determined to make this day special, even if they are already dead.
Lucia, pregnant with her first child, prepares herself to be a single mother
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
After her parents' death, Victoria ends up in the care of a distant relative, a strict Woman who is convinced that the erratic behavior and sickly appearance of the girl can be corrected by traditional treatments and a regular attendance to church. But Victoria doesn't get better and the Woman's cheek tooth starts to ache. And the more frequent Victoria's visits to the garden shed become, the worse her pain gets.
When a brilliant nine-year-old working in a sweatshop gets a chance to attend school, she must make a difficult choice for her and her sister's future.
A petty thief posing as an actor is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl and a detective who's been training him for his upcoming role...
Set in 1942, DECIMATION tells the story of ten Russian soldiers accused of cowardice and their subsequent punishment.
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."