Wild Blue

A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.

Constance is a bored, movie-loving schoolteacher in post-WW2 New Zealand who begins to fantasize that she's a Hollywood star - with tragic consequences.

Boy, an 11-year-old child and devout Michael Jackson fan who lives on the east coast of New Zealand in 1984, gets a chance to know his absentee criminal father, who has returned to find a bag of money he buried years ago.

Follows a cleaning lady going through an overnight shift at an airport. Her actions throughout may seem selfish and heartless but they all become incredibly understandable at the end.

Two brothers take their father into the city for the weekend for a rugby game and a night on the town. However, the old man dies in their hotel and the boys need to smuggle his body back to their farm and make it appear that he died there to satisfy a clause in his will or else they won't inherit the property.

Five years have passed and Jake has turned his back on his family. He's still up to his usual tricks in McClutchy's Bar, unaware, as he downs his latest opponent, that his eldest son, Nig, has died in a gang fight. The uncomfortable family reunion at Nig's funeral sparks a confrontation with second son, Sonny, and sets Jake and Sonny on a downward spiral.

Inspired by true events, the story begins with Japanese rugby officials dwelling on a humiliating anniversary, a 145-17 defeat by the New Zealand All Blacks in the 1995 World Cup. Officials question their decision to appoint Eddie Jones, to coach their national team for the 2015 World Cup. Jones plans to defy convention in order to put a stop to Japan being the laughing stock of world rugby.

When estranged son, Tai, is called home to Aotearoa to his father Putty's deathbed, he is forced to confront a painful past after years of avoiding it. Once inseparable, Tai and Putty would spend hours together fishing and joking around. However, after a family secret is revealed, their relationship falls apart.

Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.

One-time Maori speed-chess champ, Genesis Potini, lives with a bi-polar disorder and must overcome prejudice and violence in the battle to save his struggling chess club, his family and ultimately, himself.

Kye-na, an average woman in her late twenties, holds a steady job and a committed boyfriend, Ji-myoung. Yet instead of feeling content, she constantly faces uncertainty, confusion and anxiety. While struggling with personal relationships and life's woes, Kye-na finally embarks for New Zealand despite everyone’s dissuasion on leaving her home behind.

An airplane lands. A massive cruise boat anchors off the reef, disgorging tourists for tropical island vacations. This postcard paradise depends on petroleum imports to fuel its cars, motorbikes, boats, hotels, pumps and machinery. Yet if the tourists stopped coming, what then? The film opens with the prophetic words of Niuean artist John Pule and continues as a visual tone poem, without dialogue or narration, moving forward into the past to ask questions about the future. A young man travels back in time, from luxury resorts and lagoon tours through pandemic and population exodus, to early Christianity when missionaries incinerated his island’s atua and marae. Finally he reconnects with his tīpuna who settled the island a thousand years ago.

Ordinary people find extraordinary courage in the face of madness. On 13–14 November 1990 that madness came to Aramoana, a small New Zealand seaside town, in the form of a lone gunman with a high-powered semi-automatic rifle. As he stalked his victims the terrified and confused residents were trapped for 24 hours while a handful of under-resourced and under-armed local policemen risked their lives trying to find him and save the survivors. Based on true events.

Fish Out of Water manages to unfurl its light-hearted tale of young man and the sea, without a word of dialogue. Avoiding the morning traffic jams, our man (Nick Dunbar) finds peace by rowing each day to work in the city. But when a seductive blonde unexpectedly enters the picture, he finds his morning boat ride heading in unexpected directions. Directed by Lala Rolls (Land of My Ancestors), Fish Out of Water was invited to play in the 2005 NZ Film Festival, plus another 10 overseas fests. Victoria Kelly composes the brass and banjo-inflected soundtrack.

In November 1947 forty-one people died in a massive blaze that gutted the huge Ballantynes Department Store complex in the heart of Christchurch’s business district. This is the tragic story of New Zealand’s worst fire disaster.

The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle—a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.

Thick, deadly smog blankets the globe, reducing visibility to less than a few metres. In a secluded farmhouse, a woman and her overbearing husband attempt to find resources and survive using a series of walking trails crafted from ropes and stakes. One night, the woman is alerted to the presence of someone or something else deep in the smog. Desperate to escape the farmhouse, the woman attempts to meet the unknown and risk everything to leave her loveless and abusive relationship behind.

The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.

The film revolves around a Chinese man who returns to New Zealand following the death of his wife and begins to discover that she harbored a number of secrets.

Exploring love's complexities, an experimental film captures a woman's brief yet significant journey, prompting her to break free and embrace newfound liberation