Wild Blue

American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.

Ordinary people find extraordinary courage in the face of madness. On 13–14 November 1990 that madness came to Aramoana, a small New Zealand seaside town, in the form of a lone gunman with a high-powered semi-automatic rifle. As he stalked his victims the terrified and confused residents were trapped for 24 hours while a handful of under-resourced and under-armed local policemen risked their lives trying to find him and save the survivors. Based on true events.

The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.

A Documentary crew explore the life of Kuresa Tapu, a man who believes he is a Kung Fu master. As the crew delve deeper and ask more questions, they soon discover Kuresa may not be who he say's he is.

Lost somewhere over the Pacific in a single-engine Cessna with low fuel, a pilot (Scott Bakula) awaits rescue.

This short follows Joe Warbrick (Calvin Tuteao), captain of the New Zealand Natives rugby team, as he tries to rouse his battle-weary players to head unto the breach once more, for a test against England. It’s midwinter during the trailblazing 1888-89 tour (17 months and a staggering 107 matches) that left a black jersey and silver fern legacy. In a changing room that resembles a casualty ward, Warbrick draws breath and leads a stirring haka. Made by brothers Pere and Meihana Durie, Warbrick inspired the All Blacks the day before a 33-6 demolition of Australia in 2009.

The father of a deeply troubled household that endured tragedy both from without and within, seeks to reconcile with his youngest daughter by making a journey to both symbolically and culturally lay the family "ghosts" to rest.

A man wakes up in an endless white void, unable to remember how he got there, he soon encounters an A.I. who takes the man through old memories of himself until he realizes his tragic purpose in the white room.

On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.

Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.

Two young teenagers are forced to take control of their own destiny amid the chaos of a pivotal battle in New Zealand’s first land wars in 1864.

In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.

Timothy and his family is expecting a French-Canadian male exchange student, that turns out to be an attractive girl, to which Timothy proceeds to make a fool of himself, trying to impress. When Michelle becomes ill from drinking spiked punch at a party, Timothy notices a tattoo while helping her to bed. He foolishly tells a friend about the tattoo, who proceeds to tell the whole school, which does not go down well with Michelle.

When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

The film told the Māori legend of Hinemoa and Tutanekai. It is the first dramatic feature film produced in New Zealand.

A baby is washed up on a Pacific Island and is adopted by a childless woman. The tribal priest takes an instant dislike to the child, proclaiming him a demon. The child is deaf and mute and therefore excluded from hunting with the other young men. Out of loneliness, he befriends a white turtle. When a drought befalls the island, the priest blames the silent one. When the chief protects the boy, the priest plots the chiefs' downfall.

Five years have passed and Jake has turned his back on his family. He's still up to his usual tricks in McClutchy's Bar, unaware, as he downs his latest opponent, that his eldest son, Nig, has died in a gang fight. The uncomfortable family reunion at Nig's funeral sparks a confrontation with second son, Sonny, and sets Jake and Sonny on a downward spiral.

Constance is a bored, movie-loving schoolteacher in post-WW2 New Zealand who begins to fantasize that she's a Hollywood star - with tragic consequences.