The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.
Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on Earth.
This poignant documentary from directors Judith Leonard, Catherine Ryan and Gary Weimberg explores the rich complexity of mother-daughter relationships as told by women themselves in scores of candid interviews. Honoring the sometimes close, sometimes fractious, but always vital link moms share with their girls, this film celebrates how these relationships evolve in stages from birth through adulthood to the end of life.
Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul. The film, a collage work, an essay film, a fictional narrative and a documentary all rolled into one, is one of the most important independent American feminists films made during the 1970's.
Three different persons, three different lives are connected in a mysterious way. 15 year old teenager suffering of misunderstanding, his glamorous and arrogant stepmother and the young untalented but full of optimism actress. Their destinies aren’t predetermined and their lives are very fragile.
A story about a chance encounter that momentarily destroyed a successful and happy family life. All of a sudden the woman found passion and desire more important than her loving husband and cherished child. The father and son suffer from the realization that they are no longer needed, but try to understand and forgive. The woman, who failed to become happy, is in turmoil.
A short documentary on the chateaux of the Loire in France was commissioned by the French Tourist Bureau.
Hungary was the site of serial murders on ethnic basis. Over the course of one year, the murderers killed and seriously injured Roma children and adults. The state charged 4 men with committing the crime with racial motivation. This historical trial started March, 2011, and ended August, 2013 in Budapest. The 167 days of hearings was only documented continuously by our crew. We had exclusive permission to use multiple cameras in the court-room. The film is a classical chamber-drama, taking place in a small, claustrophobic court room, in the middle of Europe. What will be the outcome of the marathon, 3 year-long trial?
A newspaper photographer researches an 1873 double homicide and finds her own life paralleling that of a witness who survived the tragic ordeal.
The clues to a young woman's death come together as the lives of seemingly unrelated women begin to intersect.
A woman with a tragic past rents her bungalow to a man who loves cooking, but according to her distorted mind he uses his knives more than he should.
For a grieving fiancée, learning to love again requires the help of her late love's three best friends.
Anne-Marie lives an easy life with Gilbert, a rich plastic surgeon: a beautiful house, a doggy, a cleaning lady, expensive furniture, the lot. Not so easy in fact when she thinks twice. She does not get on with her husband any longer. She gets on his nerves and he does not attract her any longer. She feels good only when she jogs on the beach and ... when she is the arms of her lover, Leo. One day, Gilbert gets killed in a car accident. Good news, since she will be able to live with Leo. The trouble is her well-meaning family settle at her villa with a view to supporting the "poor widow" morally. Anne-Marie just cannot admit she is not distressed at all, especially to her son Christophe. She is now even more of a prisoner than when Gilbert was alive...
The stories of a group of women training to become military nurses.
Shoot the Messenger follows one man's painful journey towards self-discovery. On the way he finds both his own attitudes and the expectations of his community challenged.
Nineteen-year-old Ari confronts both his sexuality and his Greek family. Ari despises his once-beloved parents, former radical activists, for having entombed themselves in insular tradition. Ari is obsessed with gay sex, although he does make an unenthusiastic attempt to satisfy the sister of one of his best friends. While all of this is going on, he's facing problems with his traditional Greek parents, who have no clue about his sexual activities.
When an uptight young man and his fiancée move into his libertine mother's house, the resulting clash of life attitudes shakes everyone up.
Eight Māori female directors have each contributed a sequence to this powerful and challenging feature which unfolds around the tangi of a small boy who died at the hands of his caregiver.
Sawa Yamagishi worked as a nursing-care helper. The family for an old man asked Sawa to sleep with him, which led her to lose her job. Now, she has nowhere to go. Sawa finds elderly people in trouble and gets involved in their lives. Meeting them, Sawa's own wounds start to heal.
Photographer Bob loses his girlfriend. A year later he meets Kathleen. Is she in love? Or does she use him for her dark dealings with the mafia?