Riley, a junior in college, is persuaded by her estranged parents to visit during winter break, only to find they have taken up a supernatural practice in order to fix the deep-rooted issues plaguing their family.
A few years after "I Don't Know If It's Everyone", Vincent Delerm continues his documentary and sensitive exploration of feelings in a second film, this time tackling the most vibrant of all: the feeling of love. Delerm operates alone and grabs his camera to explore women and men, anonymous, artists, acquaintances or friends, in the spring or winter of their lives, all dissimilar but all in unison when it comes to evoking with delicacy, emotion or humor their relationships with the vertigo of love.
After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.
A secret agent is tasked with an impossible task, until she learns that she is in a time loop. Can she figure out the puzzle before the situation gets even worse?
When Alakananda returns home from work, they're met with a series of eerie and unexplained events that shatter their sense of security. As the mysterious occurrences escalate, she begin to question her own sanity and the truth about her life. The lines between reality and paranoia blur, and the Main character Alakananda is forced to confront the darkest corners of her own psyche. But what if the truth is more sinister than they ever imagined? 'Deception' is a gripping mystery thriller that keeps you guessing until the very end."
Suso, a young unemployed man, spies a young woman who throws herself off a cliff, before he could do anything about it. Suso will seek answers that awaken memories of the past and even make him rethink his true identity.
When God killed Man, it was God's suicide, When Man killed God, it was the birth of a new God.
A simple reunion between two old friends at a bus stop is not what it seems.
YGGDRASILL
Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.
حضرة صاحب العمارة
Vardan experiences a period of despair, losing trust in people and believing they use others for personal gain.
الجميلة والوحشين
Though times have changed, Ram still uses old ways of farming due to a drought in the village. His brother, Bala, goes to Bombay to earn his living. Mahadev, a Zamindar in the village, eyes Usha, the lover of Bala. Due to the drought, the crops fail in the village, and Shikh Sahib, a social worker, comes to help the farmers, and shows them new ways of farming. Ramu goes to Bombay to take a loan for cooperative farming and asks Bala to turn back to the village, but he refuses. [The film is a socio-economic study of post-independence India, blending documentary elements with narrative storytelling. The film is often described as a "simple story woven into the documentary design" and features actors like Prithviraj Kapoor and Dev Anand.]
Denied education for being 'unfit', Hoshiar Singh later seeks to become a teacher. The system throws obstacles at him, leading him to create an innovative teaching approach and lifestyle.
The events take place at dawn on the eve of Eid inside a residential building, where a family lives whose grandfather is facing an emergency health crisis. Then the male children leave in a race against time in search of a doctor to save him, leaving the women and their children in a state of anticipation and anxiety. Then they are surprised by the entry of a rented girl into the building accompanied by a strange young man. They begin to project their pent-up fears and tensions onto the girl and the young man.