Sim Sim Marjina

Princess Farah refuses to marry Sinbad until Prince Kassim, her brother, is able to give his consent. However, the Prince's wicked stepmother, Queen Zenobia, has changed Kassim into a baboon in order to have her own son crowned as caliph. Sinbad, his crew, the Princess and the transformed Prince travel to a distant land, fighting every obstacle Zenobia places in their path, to seek the advice of a legendary wise man who can possibly tell how to end the spell.

When Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.

A kindhearted street urchin named Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie while a power-hungry Grand Vizier vies for the same lamp that has the power to make their deepest wishes come true.

Showing off his love of visual aesthetics as a painter, director Dan Duyu combines elegance, exoticism and oddity into a grand big-budget package with New Arabian Nights. Dan's vision is definitely not bound by the source material, but his magical and music-filled version of the orient turns out to be not so different from how Western storytellers would imagine it.

In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.

Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile, Sinbad meets the Vizier who has another part of the interlocking golden map, and they mount a quest across the seas to solve the riddle of the map.

Taken from The Arabian Nights, the film tells the story of a wicked sorcerer who tricks Prince Achmed into mounting a magical flying horse and sends the rider off on a flight to his death. But the prince foils the magician’s plan, and soars headlong into a series of wondrous adventures.

The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.

Cole Porter's version of the story of Aladdin--his only musical written especially for television.

Sinbad the Sailor is a Soviet animated short by Valentina and Zinaida Brumberg, released in 1944 by Soyuzmultfilm. The film is based on the Arab fairy tales about Sinbad the Sailor and his incredible adventures in foreign countries.

Presented in the form of a feverish love dream, 1001 Nights is the first and only installment of the ground-breaking "Filmharmonic" project, which presents original compositions created by pairs of A-list film composers and directors.

After completing his voyages Sindbad the Sailor and his hearty crew have come home to find a palace coup d'etat has occurred and his home city is being run by a brutal dictator played by Pedro Armendariz. He's got designs on the beautiful young princess, Heidi Bruhl both lustful and political.

Sinbad returns from the sea to find his country subjected to the will of two unscrupulous sorcerers.

Alibaba and his son live with his rich brother Cassim. Marjina and Zabba are two slave girls who work in Cassim's house. Marjina and Alibaba's son are in love with each other. Zabba is in league with Abu Hassan, who is the leader of a gang of thieves. Alibaba finds the thieves' cave and becomes rich. Cassim's wife insists on knowing the secret of his wealth. Alibaba tells his brother who goes to the cave but can't get out as he's forgotten the magic words. The thieves find him and kill him. Alibaba and his son find Cassim and bring his body back for burial. Abu Hassan finds out about Alibaba, and the story then follows Marjina outsmarting Abu Hassan, who comes visiting as a merchant.

Orphaned as a young child and adopted by a band of notorious thieves, now-grown Ali Baba sets out to avenge his father’s murder, reclaim the royal throne, and rescue his beloved Amara from the iron fist of his treacherous enemy.

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

In ancient Persia the son of Ali Baba (of forty thieves fame), Kashma Baba is a military cadet by day and a party goer by night. He falls for a girl who he later finds is an escaped slave girl belonging to the wicked Caliph. They flee to his father's palace. But alas, there's more to her than meets the eye. Will the evil schemers succeed? The sons of the Forty Thieves to the rescue!

An evil caliph (Christopher Lee) offers his daughter’s hand in marriage to a prince if he can complete a perilous quest for a magical rose. Helped by a young boy and a magic carpet, Prince Hasan (Oliver Tobias), has to overcome genies, fire breathing monsters and treacherous swamps to reach his prize and claim the hand of the Princess Zuleira (Emma Samms).

Ali Baba steals hidden treasure from some raiders who then seek revenge on his family.

This film stays very faithful to the original down to the smallest details, save for the kangaroo-rat that suddenly appears twenty minutes into the movie and subsequently follows Aladdin around, serving no purpose in the story but fulfilling the role of token animal mascot. The story takes some illogical and confusing jumps at the point where Aladdin begins to court the princess, and the extravagant animation that had characterised Toei films of the 60s, when Toei had the best animators around, had become a thing of the past long before this point; but this is still an above-average film, in large part because of the screenplay that stays so faithful to the original. The character designs are slightly more western-looking than one is accustomed to seeing in anime.