A Drive at Dawn

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

Buster Keaton gets involved in a series of misunderstandings involving a horse and cart. Eventually he infuriates every cop in the city when he accidentally interrupts a police parade.

Madame Vervier, a sophisticated woman, sends her daughter Alix to live with Owen Bradley's parents in London.

A girl sitting on an autumn leaf-filled sidewalk communicates with a mysterious figure across the street.

When her traveling theatrical group goes broke, Poppy, an actress in the troupe, finds herself stranded in Singapore. She's reduced to working in a bar in the seedy part of town as a "hostess", where she meets a down-on-his-luck Englishman. While drunk he gets into a fight, and is forced to kill his opponent in self-defense. The girl helps him escape and goes to Sam, a shady plantation owner, to try to get them out of Singapore. However, Sam has his own plans for Poppy, and they don't include potential rivals for her affections.

A feud in the Adirondack Mountains develops when Randolph Shaw will not give up a shack and its acreage adjoining the estate of Lord Cecil Bazelhurst, whose wife, the former Evelyn Banks of Jersey City, married him for his title and now wants to get rid of Randolph's ugly shack. When Randolph meets Cecil's sister Penelope, a romance begins which is furthered after one of the Bazelhurst servants shoots Randolph in the arm for trespassing and Penelope, who earlier had looked upon the feud as a joke, runs away to Randolph's house and accepts his engagement proposal. Cecil and his men pursue Penelope, but are frightened away by Randolph's men and are forced to spend a miserable stormy night in the woods. The next day everyone becomes reconciled when Lady Evelyn realizes that the desired property will now be in the family, and Randolph offers Cecil and his men dry, if ill-fitting, garments to wear.

In a world where humans only communicate telepathically, Nima searches for a butterfly. Her encounter with a black cat leads her to an apathetic old man, putting her in questions about the world she lives in.

From the 17th floor of an office building, Pierre is staring out a colleague that is here for hours.

Two students find a magical book while studying and accidentally use it to turn their teacher into a fork.

Nathan Forge, romantic son of a cruel businessman, publishes in a local newspaper a poem about a girl who once befriended him. The girl, a student in a nearby school, reads the poem and recognizes herself. Years pass, and Nathan goes through various hardships, including an unhappy marriage, imprisonment, and the war. Then in Siberia, working for the International Red Cross, he meets the girl who is the subject of his poem and thus achieves happiness. A lost film.

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

On a volcanic island near the Kingdom of Hetvia rules Count Dakkar, a benevolent leader and scientist who has eliminated class distinction among the island's inhabitants. Dakkar, his sister Sonia and her fiance, engineer Nicolai Roget have designed a submarine which Roget pilots on its initial voyage just before the island is overrun by Baron Falon, despotic ruler of Hetvia. Falon sets out after Roget in a second submarine and the two craft, diving to the ocean's floor, discover a strange land populated by dragons, giant squid and an eerie undiscovered humanoid race.

A boy sits alone in his room, but he hears a noise. What is this noise, who is making it?

This hand-painted and elaborately step-printed work begins with a flourish of reds and yellows and purples in palpable fruit-like shapes interspersed by darkness, then becomes lit lightning-like by sharp multiply-colored twigs-of shape, all resolving into shapes of decay. Preserved by the Academy Film Archive in 2013.

Nearly a century ago, two filmmakers traveled to Germany to shoot an homage to the 1922 film, Nosferatu, and visit the graves of those who made the silent horror masterpiece. In doing so, they unleashed a dark shadow from cinema's past.

Shows masked mental patients enacting various schizophrenic symptoms as they were understood at the time. A disturbing film that raises questions about the condition and treatment of its subjects. (archive.org) “Abstract: This film describes and demonstrates four types of schizophrenia. Filmed at various New York institutions, it shows patients singly and grouped in large, outside recreational areas. Some patients are blindfolded. Symptoms shown include: social apathy, delusions, hallucinations, hebephrenic reactions, cerea flexibilitas, rigidity, motor stereotypes, posturing, and echopraxia.” (Guide to Mental Health Motion Pictures)

School for Wives is a 1925 American silent drama film directed by Victor Halperin and starring Conway Tearle, Sigrid Holmquist, and Peggy Kelly. It provided an early role for the future star Brian Donlevy. Based on Leonard Merrick's 1907 melodramatic novel The House of Lynch, it was not well-received by critics.

The Mayor and the Chief of Police have offices in the same building, and are both enamored of the chief's stenographer, Dolly. However, she gives most of her attention to young Sammy, secretary to the Mayor. Approximately, 11 minutes survive from this two-reeler.

A young woman was buried alive with the intention of killing, but she survived by chance. hears the cries of her little girl and fights to stay alive for her daughter. But this incident will enlighten a new worldview for her.

Beloved textures left to their own devices. 1 of