Daisy is looking for love but it’s all going terribly wrong. If only she could be someone else, someone ‘cooler’. After encountering a ‘cool’ girl in a bar bathroom, Daisy learns things aren’t always as perfect as they seem and decides the only way to find love is to be completely herself.
Three families struggle to find their true selves and their soulmates in a world full of expectations, pressure and obstacles. Inspired by real events, this film shows how they pursue their dreams and potential without losing themselves.
Reynold is dying of cancer. He uses his last meals to share them with his daughter. As the meal progresses, a ritual begins to take hold, the dishes acting as reminders of the past. Vanessa discovers who her father really is.
A ruthless and broken bounty hunter roams the frozen wasteland, finding redemption in an unlikely place.
After witnessing a horrific event, one man risks everything in an effort to help a stranger.
Max Devereaux and Suko Pyramid documentary about the making of their first three albums together as a duo and the story of their inspiring, international collaboration. Produced entirely remotely, featuring never-before-seen photos, videos and audio as well as interviews with close collaborators from all over the world.
Aaina, insecure about her complexion dreams of getting married to a boy who finds her attractive. She comes across Gulab a flamboyant toilet cleaner, who finds her attractive but Aaina's father has chosen someone else for the marriage.
When a widowed father meets a new dance partner, his children react badly. Are they just missing their mother, or is there another reason for their reaction?
As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.
Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.
Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.
Akil, a wealthy butchery mogul, has a very close relationship with his younger brother, Sharm. When Sharm is tragically murdered all signs point to Akil's wife, Madison. With no actual proof Akil turns to alcohol and unleashes his rage on his wife. Madison plots revenge on Akil by creating a poison from her repertoire of poisonous botany, the most lethal: The Blood Orchid. Domestic rivalry ensues in this gripping psychological drama.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.
Gopan is living with his 6 year old son Ashok. His neighbor Celin falls in love with him. But he reveals that Ashok's mom is alive and he narrates his story.
An anguished woman awaits her love. A film is made about this. The parallels between the love between the woman and the film team are interspersed and show how this feeling can be both a pain and a joy.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.