Lohengrin

La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

A man heading through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.

After a tragedy, Atel finds himself stuck on a series of mountains… with a familiar voice somehow communicating with him.

Goro is a gynecologist and idol fan who’s in shock after his favorite star, Ai, announces an impromptu hiatus. Little does Goro realize that he’s about to forge a bond with her that defies all common sense! Lies are an idol’s weapon!

High schooler Asaya Kanata throws himself into creating music videos. One night, he is stunned by the voice of a woman performing live on the street in the rain. The singer is Yū Orie, who abandoned her musical career and has just started working as a teacher at Kanata's high school.

Here is a rare and exceptional example in which the director and costume designer amuse themselves with `silly' costumes, but it actually works. I usually loath the stupid concept of 'clever' producers' of dressing opera singers in an motley set of `modern' and bizarre costumes (mostly tasteless) to help the `stupid' spectators to understand the universality of the opera across time and place. However, in this particular production I enjoyed every moment of it. All my reservations withstanding, I found that the costumes have actually helped highlight the `buffa' aspects of this supposedly `siria' opera. This work may not be among Handel's greatest masterpieces, but the way it is presented and sung here makes it a thorough pleasure for the senses.

After separating from his wife due to an emotional affair, a homeward bound musician goes on a road trip, but after bumping into his high school sweetheart, his feelings become even more off balance.

The pianist Kyra Steckeweh and the filmmaker Tim van Beveren search for traces where Countess Dora Pejačević (1885-1923) lived and worked. Their documentary is a journey through time to a half brilliant, half broken Europe.

Desdemona in Verdi's Otello was a career role for soprano Renata Tebaldi, from her first operatic performance outside of Italy to her final appearance on the opera stage. Between those landmarks she performed the role nearly 100 times all over the world and made studio audio recordings that became reference recordings for the role. This 1962 production with the Deutsche Oper Berlin and Giuseppe Patane was planned as a media event from the outset and blessedly captures a consummate artist in a signature role at the peak of her gifts.

This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.

The 2021 production by the Dutch National Opera of the work by German composer Rudi Stephan (1887–1915) "Die ersten Menschen" ("The First Humans"), completed in 1914 to a libretto by Otto Borngräber interpreting the Biblical story of the Garden of Eden through symbolism and the then nascent science of psychoanalysis. This production was part of the Holland Festival of Amsterdam.

Woody Allen's production of the Puccini comic opera at LA Opera in 2015

Pandemonium

Francesco Cilea's Adriana Lecouvreur was inspired by the real-life story of a celebrated actress at the Comédie-Française who was much admired by Voltaire. Hailed as a masterpiece, the opera was triumphantly staged in cities around the world after its premiere in 1902. The dramatically effective narrative is a passionate love triangle filled with intrigue and complicated plot twists set in the gallant 18th century. Its subtle ironies and gorgeous cantabile style of music provide a perfect vehicle for the star cast in this stunning production from the Teatro del Maggio Musicale Fiorentino.

The production was the Vienna State Opera debut for the young Swiss conductor Philippe Jordan – the Argentinian tenor Marcelo Álvarez, took the title role. His Charlotte on this occasion was the young Latvian mezzo-soprano Elīna Garanča. Her performances have been enthusiastically received and she has already been labelled as the new mezzo wonder. Staged by internationally sought-after Rumanian director, Andrei Serban, the apparently sentimental love story – normally presented in 18th century period costumes - reveals a study of personal relationships and a close observation of a woman, who comes of age too late. Serban’s aim was to rid the opera of the unjustified reputation of banality that clings to it despite its underlying tragic mood. By setting the production in the stiff, claustrophobic atmosphere of a small town in the 1950s, he aimed to make the audience more aware of its deeper levels of self-denial.

Featuring music from her fourth studio album produced by Trent Reznor and Atticus Ross, this evocative film experience stars Halsey as the young and pregnant Queen Lila, who wrestles with the manipulative chokehold of love.

The struggles of a group of outcasts living in "Yentown", in an alternate-future Japan.

Barbie meets another Barbie Roberts, forming a close friendship, nicknaming each other Malibu and Brooklyn when they both attend the Handlers, Performing Art School in NYC, over the summer, competing for a spot at the spotlight solo.

A once-in-a-lifetime live, global original concert event offering fans from around the world a front-row seat to witness the groundbreaking magic of the Rocket Man back at Dodger Stadium and showcasing Elton John as audiences have never seen him before, paying tribute to the icon and the seminal moment in 1975 that cemented his global success.