Leavin' Ain't a Crime - A Farewell Love Letter from Funhaus

The story takes us to an island with no future, given that it’s already partly submerged underwater. A woman is caring for ten or so very elderly individuals, but the arrival of five travellers turns their lives upside down…

A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.

In 2015, a Magdalene in Ecstasy was discovered in the modest collection of an Italian family. Was it the original by Caravaggio, who disappeared after his death in 1610, or one of the many copies made subsequently? After an expert appraisal, Mina Gregori, one of the greatest specialists on the artist, was convinced of the authenticity of the work. On her advice, the owners searched their archives and unearthed three documents: two inventories of paintings, dating from 1842 and 1864, as well as an old paper mentioning a "Madeleine inverted by Caravaggio". Starting from these pieces of evidence, an expert in ancient archives and an Italian art historian then launched into a vast investigation to try to retrace the route of the painting.

Hockney talks about his 40 year love affair with photography.

Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.

To fill the absence of his six-year-old daughter living in Berlin, a Montreal filmmaker keeps a film diary which takes him back to his relationship with his adoptive father and his biological father, whom he never knew. His diary also becomes a reflection on cinema by revisiting the work of filmmakers who influenced him such as Ingmar Bergman and Wim Wenders. Diary of a Father is a poetic response to making the separation between a father and his child bearable.

Jelaous of his friend's elaborate umbrella, a young man summons the wrath of God

A weary-looking middle-aged couple shuffle around their cluttered loft in Yangon, Myanmar. There is stuff everywhere, and a mountain of pills in blister packs lie haphazardly on top of a glass case. The loft turns out to be a clinic and the couple are qualified doctors. They are also artistic: she paints and draws, he is making a feature film, and their patients receive creative therapy in addition to regular treatment. This might not be a sterile, efficient hospital full of white coats, and the treatment rooms might look shabby, but there is real time and attention for people here.

It's December 22nd - but two nihilistic partners are still celebrating Halloween every night at a depraved carnival in the woods. Over the course of the Hellish night they will begin to question their lifestyle.

Na svitaní

Uma Babá Gloriosa

Jéssica (Thati Lopes) is a simple young woman, dedicated to her job at an antique shop in Rio de Janeiro, but she feels her life lacks purpose. Everything changes when she finds a mysterious locket identical to an item she inherited from her late mother. Driven by the desire to understand the connection between the locket and her family history, Jéssica teams up with Gabriel (Rodrigo Simas), a distant relative who appears unexpectedly.

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.

Tichá kaviareň

Antoine, a history teacher in his early 50s, learns that he has become very hard of hearing. Unable to own up to his handicap, he resigns himself to living in his bubble, even though his entourage finds his behavior increasingly odd. His encounter with Claire, widow and mother of a young girl who has stopped speaking, will lead him to open up to the world. 

Who and why shot Hungarian and German infants and young children in the head and exterminated entire families near the town of Prerov (Prerau) in Moravia on the night of June 18, 1945? Why did the bodies of the women and children killed here had to be cremated two years after this massacre - after these bodies were disinterred by army units - in the crematorium of the also Moravian city of Olomouc? Why didn't the Czech historian, who investigated the fate of the slaughtered Hungarian and German families and who also fought for the last honors to be paid to them, receive no praise or medal from Budapest? And what was the fate of the 90 Hungarian leventes handed over to the soldiers of the Slovak army by the soldiers of the Soviet army occupying Austria at Ligetfalu below Bratislava? This documentary explores the story of two hitherto unexplored mass murder in Pronov and Bratislava in the village of Bratislava.

I pinguini ci guardano