John Michael's Project

Every day, at sunrise, the Sítio Porto Alegre School students arrive by boat for another school day. As Professor Rui seeks to catch the attention of the 3rd grade children, new principal Leidi and school boatman Raimundo try to solve the lack of fuel problem caused by the little money sent by the government. These are rainy days in Curralinho township, on Marajó Island, where a school community resists.

Russia's most skilled streetball players unleash a whole arsenal of unique tricks, incredible dunks, and defenders-destroying dribbling moves. Spotlighting the burgeoning streetball culture of the largest country in the World, documents first streetball challenges and tournaments including performances from the biggest names in hip-hop industry.

Jools Holland takes a personal look at the historical influences that have helped to create the sound of London. His journey takes him back to Roman times, and then forward through history until the present day, taking in well-known landmarks, pubs, music halls and more recent venues such as the 100 Club. Archive film footage is interspersed with contributions from performers such as Roy Hudd (comedian and music hall expert), Lucy Skeaping (of The City Waites ensemble), Eliza Carthy (folk musician), Sterling Betancourt (steelpan pioneer), Danny Baker (DJ and presenter), Ray Davies (of The Kinks rock band), Paul Jones (of the Manfred Mann pop group), Joe Brown (rock and roll singer), Suggs (of the Madness ska band), and Lisa Hannigan (Irish indie folk singer).

Filmed at the end of the tour in Vancouver, B.C., with the entire Tortured Poets Department set.

Gal Costa: Recanto – Ao Vivo

Moi, Magyd Cherfi : portrait intimiste d'un chanteur devenu écrivain

In the late 1960s, with the triumph of bilingualism and biculturalism, New Brunswick's Université de Moncton became the setting for the awakening of Acadian nationalism after centuries of defeatism and resignation. Although 40% of the province's population spoke French, they had been unable to make their voices heard. The movement started with students-sit-ins, demonstrations against Parliament, run-ins with the police - and soon spread to a majority of Acadians. The film captures the behind-the-scenes action and the students' determination to bring about change. An invaluable document of the rebirth of a people.

In American Sign Language (ASL) with subtitles available in English, Spanish and Canadian French. This powerful documentary uses real life experiences from Deaf people of varied social, racial, and educational boundaries showing how this form of oppression does lasting and harmful damage. Bonus materials include directors' comments from Ben Bahan and H-Dirksen Bauman and additional scences. Teachers: This film is a wonderful tool for beginning ASL students, as an introduction to a side of Deaf culture that cannot be found in any textbook.

Vento Bravo

VISITAS

In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.

Canada Mania

As the Palaces Burn is a feature-length documentary that originally sought to follow Lamb of God and their fans throughout the world, to demonstrate how music ties us together when we can’t find any other common bond. However, during the filming process in 2012, the story abruptly took a dramatic turn when lead singer Randy Blythe was arrested on charges of manslaughter and blamed for the death of one of their young fans in the Czech Republic. What followed was a heart-wrenching courtroom drama that left fans, friends, and curious onlookers around the world on the edge of their seats.

Documentary about the artist and musician Dennis Greenidge, includes interviews and performances.

A group of uniformed Japanese schoolchildren make their way to class. But what they will be taught when they get there is a subject increasingly under government scrutiny. EDUCATION AND NATIONALISM traces growing government intervention in Japanese history and social science education over the last decade — a process embraced by the late Japanese Prime Minister Shinzo Abe.

With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.

The joys of 1960s modern education - as seen at a not-exactly-typical local comp.

In 1967, in the midst of Franco's dictatorship, a group of seminarians thirsty for freedom founded the group Enarak. They played pop, rock and psychedelia, styles that were foreign to the society of the time, and all of it entirely in Basque. After hundreds of concerts, they mysteriously disappeared in 1971. Fifty years later, the singer's son, Beñat, sets out to find traces of the group, immersing himself in a film labyrinth that mixes ornithology, collage and eccentric research.

Shake ‘Em On Down is a one-hour documentary film which aims to tell the story of Fred McDowell, who was first recorded by Alan Lomax in 1959, traveled to Europe with the Rolling Stones in the mid-1960s, mentored Bonnie Raitt, and served as the cornerstone of the unique and enduring North Mississippi- style of blues music.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).