Living Art

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Sippy takes Leander on a hike over the woods to a big tree to show Dre that she's responsible.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Sonic, Tails, and Knuckles encounter an abandoned Badnik drone which upgraded itself using parts from a junkyard, with the intention of conquering the world.

A look at what it's like to be gay and black in America.

Ten years after the film Home (2009), Yann Arthus-Bertrand looks back, with Legacy, on his life and fifty years of commitment. It's his most personal film. The photographer and director tells the story of nature and man. He also reveals a suffering planet and the ecological damage caused by man. He finally invites us to reconcile with nature and proposes several solutions

During a post-Christmas play date, the gang find themselves in uncharted territory when the coolest set of action figures ever turn out to be dangerously delusional. It's all up to Trixie, the triceratops, if the gang hopes to return to Bonnie's room in this Toy Story That Time Forgot.

A Pixar short about a lost-and-found box and the unseen monster within.

This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Under the leaden sky of a summer day, Eric goes to work to defend a great issue. But, blinded by stress, Eric is forgetting the most important thing...

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

This project uses mixed reality convergence through which users can participate in some of the digital existing archive of Lynn Hershman Leeson, now housed in the Special Collections Library at Stanford University. Created in 2006, this project is one of the first artist archive projects in Second Life and has been exhibited at the Museum of Contemporary Art Montreal, ISEA and San Francisco Museum of Modern Art.

Exhibition on Screen's latest release celebrates the life and masterpieces of Hieronymus Bosch brought together from around the world to his hometown in the Netherlands as a one-off exhibition. With exclusive access to the gallery and the show, this stunning film explores this mysterious, curious, medieval painter who continues to inspire today's creative geniuses. Over 420,000 people flocked to the exhibition to marvel at Bosch's bizarre creations but now, audiences can enjoy a front row seat at Bosch's extraordinary homecoming from the comfort of their own home anywhere in the world. Expert insights from curators and leading cultural critics explore the inspiration behind Bosch's strange and unsettling works. Close-up views of the curiosities allow viewers to appreciate the detail of his paintings like never before. Bosch's legendary altarpieces, which have long been divided among museums, were brought back together for the exhibition and feature in the film.

One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.

A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.