Wounded Light

A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.

A college student heads to the forest to exchange an item for a special item he desires. But once he arrives, the deal changes which leads to violence.

Playing hooky from school, Tony, a student/chorister at the Cathedral of St. John the Divine, spends the afternoon at Central Park's Sailboat lake and retrieves a remote control device left behind by a pair of sailboat racers. Back in the schoolyard, Tony pretends that he has a car to go with the remote control. When another boy tries to take the control from him, it falls on the ground and a red remote-control sports car miraculously appears. The car "dances" to rap music and even brings Tony a can of soda. One day, a sinister-looking man with a briefcase steals the car and flees into the subway. Tony and his classmates pursue the thief to the Wall Street area and ask to inspect the briefcases of passing businessmen. Eluding the students, the crook hails a taxi and hurls the briefcase from the window. Next morning, Tony hears the sound of a sports car during a church service. Returning to its rightful owner, the magical car mysteriously reappears at the end of the processional.

In a waiting room in the space between the living and the beyond, an unlikely pair sits impatiently for their final reckoning.

A relationship between a man and a woman discloses during the course of the film.

Luisa from Argentina and Fred from Germany are confronted with their social roles at their wedding. The German tradition of kidnapping the bride shakes the couple’s equality. There is no room for love in this role-play of marriage.

A phone call turns an evening at home into a nightmare.

A story about a young man who has an argument with his friend so chooses to take a walk to clear his deteriorating mind.

A man from communist Czechoslovakia unexpectedly meets his childhood love on a flight to Cuba. When they stop over in Canada, he has a plan… but can he trust her?

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

After a death in the family, a fragile young man struggles to cling to his fractured reality, which is not at all as it seems.

When Eva (14) goes to the lake with her older brother and his friends, she finds herself under her body’s control, of which she is still ashamed at her age.

After the death of his wife, a taxi driver, Hoon, struggles to provide for himself and his daughter, Mei, during the COVID-19 pandemic. He chooses to turn his taxi into a mobile brothel so he can give his daughter a better life. One life-changing moment forces him to re-consider his choice.

In the heart of a Dominican family’s home, the youngest daughter’s thirteenth birthday is being celebrated. Balloons, cake, and music cannot hide the tension that lingers in the air. Amid the party, between music and applause, Minerva receives a special gift from her father. What seems like an innocent gesture turns into a silent revelation of the fear that has long resided in her heart. Through glances, restrained gestures, and meaningful details, the short film portrays domestic violence from a child’s perspective, where joy and horror coexist in the same space.

A teenage girl dealing with the loss of her mother, navigating the five stages of grief, when suddenly her doppelganger appears. Throughout her journey of discovery, she not only confronts her own unresolved feelings but begins to understand the fragility of life. Through her encounters with the doppelganger — a reflection of her inner turmoil — she comes to terms with her mother's death and learns to accept her own mortality, finding peace in the inevitability of life's cycles.

Three different scenarios, intercut, all using the same words but with very different meanings. A corrupt cop is more interested in the money on the criminals he catches than justice; a young woman discovers she's pregnant, and her boyfriend is unfeeling; and a young man calls a prostitute it's the first time for both, and neither can go through with it. Ultimately, all the stories come together.

Austin struggling to find his purpose in his life finds viral fame and tries to keep up.

When Dylan returns from university to his rural childhood home he faces a decision between his duty to the land and his desire for freedom.

During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.

Shot entirely on a webcam and guided by the Imperfect Cinema philosophy, this film captures the drunken drift of a man reaching for connection in a cold, indifferent city. What unfolds is either a dream, a dying vision, or both. Then — reality returns with a quiet whimper. Life moves on. Raw, lo-fi, and unapologetically rough, this is a meditation on how easily the world forgets. Meaning is left open; interpretation belongs to the viewer.