The New York Hat

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

A gangster falls for a blind violinist, only for his mobster rivals to kidnap her.

A British army officer refuses to avenge the death of a general who was murdered years earlier. He is awarded three feathers by his officers. When his fiancée fails to defend his stance, he plucks a feather from her fan. He proves his courage by rescuing his comrades in dangerous and life-threatening situations. Later he returns each feather as proof of his redemption and courage.

A happily married woman lets her catty friends talk her into divorce when her husband strays.

Visa Vuorio, a 35-year old team leader at the Helsinki city gardening department, is suffering from a terminal neurological disease and only has a few months to live. Because of this, he is a member of a therapeutical support group for people suffering from terminal diseases. Visa's life changes when a young female reporter, Hanna Manninen arrives at the support group offering to write a series of articles about Visa's life story.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.

A young woman consents to a bad marriage to an unscrupulous man in order to save her father from ruin. When her marriage is disrupted by a murder, three different people confess to it.

With Jean-Baptiste at the front, Louise takes care of Bébé with the help of Uncle Pierre. The letters she receives from Jean-Baptiste worry her, but Pierre distracts Bébé with a box of tin soldiers. That night, Bébé has a dream of his soldiers vanquishing the enemy, and the next morning, Jean-Baptiste surprises the family by returning home.

Dancer Lucille Le Jambon (whose real name is Lucy Higgins) loses her job when the morals committee of Sycamore, Kansas, headed by the self-righteous Deacon John Griswold, forces the Merry Models Burlesque show to close. Having grown fond of Sycamore, Lucy opens a combined ice cream parlor and dance hall, where she teaches the young people all the latest dances. ...

During the Easter Carnival, Dolores de Cordova flirts with Juan Estudillo, not knowing that he is a member of the family with whom her ancestors have long feuded. Dolores' cousin, Pedro Toral, jealous of her attentions to Juan, kills her brother that night and after leaving Juan's handkerchief by the body, makes Dolores swear to avenge the death with her own hands....

The first Finnish full-length feature film and the first film adaptation of Minna Canth’s play of the same name. Orphaned Sylvi is married to her older guardian Aksel Vahli, but is in love with her childhood friend Viktor Hoving. A difficult situation drives Sylv to desperate deeds. A approximately 27-minute version of the film’s surviving scenes, with the most explanatory text, has been reconstructed.

Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.

A romantic rivalry among members of a secret society becomes even more tense when one of the men is assigned to carry out an assassination.

Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

A young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.

Jubilo, a hobo, witnesses a robbery, finds work on Judge Hardy’s farm, and foils the vengeful machinations of a sinister villain.

A silent short film telling the classic story of Becky Sharp.