Flat Girls

Deep in the lush river jungles of Argentina, Alvaro lives a solitary existence fishing and harvesting reeds. What sets him apart from the rest of his village is that he is gay. There are no other gay men in his world, his only means of expression is with the occasional outsider who passes through. Most of these men come via the river taxi El León, whose captain El Turu is a mean man with a homophobic streak and a secret. When illegal loggers appear in the jungle El Turu accuses Alvaro of aiding them, a dispute which leads both men towards confrontation.

Faced with an unplanned pregnancy, sixteen year old high-schooler, Juno MacGuff, makes an unusual decision regarding her unborn child.

In the town of Saima, when summer is about to begin, a group of six high school students intend to live a secret adventure by spending seven carefree days in a ruined mining facility.

An intimate peek into the relationship of two black gay men. On the morning of his 30th birthday, Amari struggles to make decisions on what’s next and defining his purpose. Q is on track become the youngest partner at his law firm and plans an elaborate soiree to celebrate this milestone of his long-time partner. The day takes a rattling turn when an explosion cuts off utilities across New York City and forces the city into a mandatory lockdown. Their relationship is tested as the couple grapples with memories that could shatter their plans altogether.

A teenager fails to find (and keep) jobs which makes his father doubt the reason might be the boy's lack of sexual experience. As all his efforts prove to be unsuccessful, the father gives up, but not the boy's aunt.

The Best of Boys in Love is a wildly diverse collection of films that mixes styles, settings, and stories ranging from "elegant gay romance" (Frontiers), to a musical send-up of Hollywood, to an "exquisite period piece" (Village Voice) set in New Zealand. The DVD features seven audience favorites selected from our collection of award-winning gay short films.

A socially awkward, environmentally-conscious teenager named AJ is dragged to a coastal holiday park by her painfully 'normal' family, where she becomes unexpectedly captivated by a chlorine smelling, sun-loving lifeguard named Isla.

A group of close friends celebrate parties over an extended period of time. They experience a lot of fun together, but also tragic moments that prove that love and friendship are the most important gifts of all our lives.

After the sudden death of one of them a group of friends grieves trough sexual encounters.

Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.

In her bouts to help her daughter, Teresa accidently lands on a call center job where Regina is employed, giving her a chance (or is it really?) to rekindle her relationship with her daughter. In the call center, she meets people coming from different walks of life; fun-loving Richie, young-living Lolay, prim and proper Martin, and their monster Team Leader Vince.

Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.

While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.

A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.

Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.

The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

A high mountain hamlet, early summer. Félix comes down from the pastures where he’s guarding his cows and finds his old mother lying lifeless on her bed. Shaken, he runs off. He drives a few miles in the valley to the house of a young man who just contacted him on a dating app.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”