A Plasticine Crow

Our protagonist wakes up, lost and confused in the middle of a place he doesn’t know, looking for answers he doesn’t get. Stop motion adaptation of the Stephen King short story "The Killer"

Bruce the gritter unwittingly makes an enemy as he carries out his job, clearing the roads of snow.

Claymation short shows the real reason behind the demise of the dinosaurs.

"An exciting experiment in the tradition of Oskar Fischinger (Komposition in Blau, 1935), Dwinell Grant (Composition No. 1, 1940) and Slavko Vorkapich (Abstract Experiment in Kodachrome, 1950s). Max Hattler presents a well-done interaction between music and moving images. Space is turned upside down and the animated objects become faceless dancers in a constructivist ballet." Vienna Independent Shorts 2010, jury statement by Anton Fuxjäger

An experimental animation in which thousands of artifacts from the collections of small museums are brought to life in an animated history of human endeavor.

Claymation adventures with the characters from the popular children's book.

Claymation adventures based on the popular children's book series of Frog and Toad by author Arnold Lobel.

Web Corp. follows the inescapable cycle of a worker fly trapped in a systemic web spun by a boss spider. Crafted through traditional stop-motion, the film clashes the organic, vulnerable texture of papier-mâché against the harsh, cold authority of steel wires, transforming capitalist exploitation into both a thematic and physical allegory.

I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.

Party girl Annie and Gordon, a homeless man, travel through a remote subway tunnel to a different time; to a world where two children are held captive and tormented by bizarre figures. A multilayered animated film which brings to life the dark history of the Canadian residential school system, in which – as recently as the 1990s – First Nations children were being indoctrinated and estranged from their parents and culture.

In an inhospitable place, a boy and his family struggle for survival.

Doodles keep dripping down from the mouth of an idiot.

When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it's up to Shaun and the flock to return everyone safely to the green grass of home.

Stop Motion Collage Animation.

Salt: trace, absence of water, passage of time, invading epidemic, living cemetery. Water: manoeuvre, absolute value, fertility, rhizomes, chance. Cotton: corruption, economic issues, hydrophily, desertification. The world has become a vast dried out planet, where the growing of cotton, over exploited for economical reasons is the main cause of desertification. A saline desert covers acres of dried out land where strange salt trees appear. This phenomenon echoes an even greater ecological disaster, the desertification of the Aral Sea. And man is always responsible...

Minha Primeira Memória

At midnight, two elves help a pair of shoemakers in distress by making shoes. They make it a condition that they are not watched. When the cobblers do it anyway and then send them the matching clothes, they stop working but continue to help the cobblers.

Early Grief Special takes place in a greasy spoon. It is the only place in London where people are allowed to grieve. Its purpose is to push bereaved people to feel better and move on quickly. A new customer arrives for their first meal, the Early Grief Special. They feel lost, alone and scared. Not wanting to face death and grief leads to the experience being even more strange and unsettling.

A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.

This ultra-short, experimental video art piece serves as a stark apparatus for decoding the aggressive rhythm and discontinuous production of contemporary life. The work is built upon a Stop Motion loop composed of just 12 frames, using this brief, intense format as an installation of shock that conveys the systemic pressure of a speed-obsessed society. The central figure, the rat, is placed to represent the archetypal subject of the urban underclass—the individual whose labor is rendered invisible and who is constantly forced into a struggle for survival. What we observe is not an advancement, but a fruitless scurry trapped in a vicious cycle. As the image repeats, it whispers that what we perceive as progress is, in fact, nothing more than an exhausting, self-referential recurrent routine. Rhythm/12 Frames compels the viewer to question both their own limits of perception and the grim reality of existence reduced to a survival mechanism within the system