With Greta Garbo on the Swedish American Line's Ship

A five-year-old boy is completely uninterested in food, which results in conflicts with his mother. The effort she invests in feeding him is equal to the boy’s effort not to eat the offered food. The longer the lunch, the clumsier is their balance on the verge of fight. The duel between the boy’s resourcefulness and the spoon, the tears and mother’s love, ends with the victory of the more persistent. The last bites are either left on the plate, or leave with the boy to bed in his mouth.

Millennials in the US discover their lack of legal nationality, sparking a search for recognition and belonging that unites them and offers hope for the future.

In this featurette, ART + COM members join the cast and crew of the show to discuss its factual basis and the development of the court case.

The story of The Beatles' last song featuring exclusive footage and commentary.

The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.

A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.

Fancy Pea is a Brazilian documentary produced, written and directed by Werner Schumann, in the year 1985, reporting facts about the life and work of the Brazilian writer, poet, translator and professor Paulo Leminski. The program was shown on TV in 1985 and 1989 (at the time of the death of the writer).

A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.

In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.

The film is a fragmented representation of an artist's experience at an art gallery where Wolfgang Lehmann, as a part of his masterclass, shows 2 of his films and in-between, a film by Kurt Kren.

"The operations that dislocate a film like Summer Solstice– I hope irreparably– from being a movie about the locomotion and eating habits of cows, a dairy farm document, or what have you, are finally of a whole lot less concern to me than the following things: how it looks, the sense that probably it was done deliberately, the pleasure or displeasure– the intrigue, possibly– of attempting to retrieve the manner in which it was done while one is watching." -HF

Kevin investigates the online traces of a British news reporter who was kidnapped and appeared in several Islamic State propaganda videos.

To the WWE Universe, Shawn Michaels made every match he competed in feel like a main event. No matter the time or the place, when The Showstopper stepped inside the ring, he delivered a performance unlike any other. Now for the first time ever, WWE Home Video dives deep into the archives to bring the WWE Universe never-before-released matches spanning the entire career of “The Heartbreak Kid.”

A researcher finds a phone video showing hundreds of ISIS captives running through a desert. She is puzzled that the video is posted on YouTube by Les Observateurs, a French state-funded news channel as a work of “citizen journalism”. While the video has been removed from many other channels, the French news channel’s legitimacy allows the video to remain online and spread terror over several years. Further investigation uncovers multiple variants of the footage on countless other sites, leading her to despair.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

Since Covid-19 struck in 2020 and to be precise in March in Indonesia, it made a big change. Because of Covid-19 too, Hafiz & Friends Recap was also stopped because they couldn't do much activities as usual.

An homage to the late actor Philip Seymour Hoffman.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

Explore timely, personal stories of LGBTQI+ families who strive to build lives in their communities despite biased legislation and mounting prejudice.