O-To-Ko's Secret Spot

A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.

Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.

A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.

A young boy’s dream of a woman is entrusted to the love of a flower. When that beautiful flower withers and the boy discovers the ugliness of women’s true nature, he vows revenge.

A bored and frustrated wife meets an old lover who knows how to satisfy her pent-up passions. Unfortunately she finds out that he runs a call girl business.

Haruto is a freshman and a loner high school student until the arrival of the new teacher Aoyama. Aoyama cares for Haruto and starts to exchange letters with him, as something more grows inside both of them. But one night, an unexpected kiss ends their beautiful relationship. Three years later, Haruto has become a male prostitute in order to pay back his debts, when he reunites with Aoyama by chance.

Mizuo, a gardener, Kazeo, an apprentice, and his girlfriend, Ishio, come to the campsite on vacation. Mizuo, who likes Kazeo, grows jealous when he sees the two flirting. He went for a walk alone to distract himself from his thoughts, and was raped by a man clad in a piece of cloth who looked like an Arab. While the water man was unable to say anything about it, the stone man became the prey. Burning with anger, Ishio and Kazao decide to uncover the man's true identity. Around that time, the dream man, a former rugby player, met a woman with a single piece of cloth. Yumeo has been raped by a man in a piece of cloth, but since it happened in a moment, he wishes to meet the man again in order to find out whether it was reality or a dream. The woman starts talking about Fuo's true identity...

His young wife was assaulted by a man, and they continued their loving relationship after that, so they avoided a criminal case, but a divorce by agreement was reached in the family court. However, in her hidden side, her husband was also a molester. This is a story that exposes these crazy sexual lives and depicts the madness of sexual desire between men and women.

Two women, Tokiko, a ceramic artist, and her apprentice, Haruka, are in a relationship. The couple is not an intrinsic lesbian, but they fell for each other by chance.

Although the two sisters are flesh and blood, they are women after all. This is a film that depicts the woman's conflict between love and sexuality with a flame of unfathomable tenacity, and depicts the ferocity of her human instincts as a sensitive image.

"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.

A woman has recently married an adult toy manufacturer. He researches new vibrators in the product development department. She hopes that if she marries such a man, she will be able to use the vibrator as much as she likes and have fun every night, but her husband never uses a vibrator on her. She is extremely dissatisfied with this. Meanwhile, her husband's boss, the section chief, is currently developing an anal vibrator, and in the name of experimenting with it, he only uses the anal vibrator on his wife. Her boss's wife wants him to use a normal vibrator, but she is dissatisfied that he only uses it on her anus. As the wives were talking about this, the new wife expressed her interest in anal vibrators, so they decided to swap husbands and have fun with the one in the front and the one in the back. They immediately decided to swap wives...

A bittersweet coming of age story of a high school girl, her father and the end of an erotic night club. An allegorical requiem for Nikkatsu studios.

Two girls who want to become masochists are trained by a sadistic woman and turned into lovers.

At the beginning of the Meiji era, Sayoko, the daughter of a large banker in Tokyo, comes to Sotobo's villa for the first time in eight years, guided by her student, Yasu. In fact, Yasu is the son of Keizo Naya, the keeper of this villa. His father and older sister, Kyoko, live quietly in this place, where people rarely visit, like recluses. Sayoko, who grew up sickly and full of selfishness, treats Yasu, who has feelings for her, like a slave, blindfolds him, makes him help her change clothes, and makes him imitate Sansuke in the bathroom.

Since ancient times, in peaceful fishing villages facing the ocean, village elders still followed the tradition of requiring virgins to marry. In this country where radio wave culture has completely permeated... even now. This is a semi-documentary Nikkatsu that obscenely and abnormally captures this lewd ritual and a world where innocent sexual habits such as night crawling are openly practiced.

One day, Reiko, a female college student who aims to be active in the world of mass media, is asked to investigate the actual situation regarding sex among female college students. Reiko infiltrates the girls' dormitory, but as soon as she moves in, Kyoko, who manages her dormitory, forces her to attend a party on Saturday night...

Homma, a shy and hard-working car mechanic, said goodbye to Mao (Maya Sawamura), a delivery health girl who has forgiven her heart for three years. This is because he started dating with an office lady named Yurie (Meguri) who he met at a matchmaking party and got engaged. Mao was a little jealous when he realized that he secretly loved Honma, but wished for the relationship between adults and the happiness of Honma. On the way home one day, Homma found a dirty kokeshi doll, cleaned it with a handkerchief moistened with water, and placed it on the flowerbed. That night, a strange young woman (Yui Kawagoe) visited the room. She forcibly went up to the room and said that she was a kokeshi doll...

A woman rejects her clingy female lover and pursues a female co-worker. The spurned lover plots revenge and the co-worker has a kinky secret.

A taxi driver kidnaps a fare and imprisons her in his apartment.