The Oasis I Deserve

Professor Jim Al-Khalili looks at how we have created machines that can simulate, augment, and even outperform the human mind - and why we shouldn't let this spook us. He reveals the story of the pursuit of AI, the emergence of machine learning and the recent breakthroughs brought about by artificial neural networks. He shows how AI is not only changing our world but also challenging our very ideas of intelligence and consciousness. Along the way, we'll investigate spam filters, meet a cutting-edge chatbot, look at why a few altered pixels makes a computer think it's looking at a trombone rather than a dog and talk to Demis Hassabis, who heads DeepMind and whose stated mission is to 'solve intelligence, and then use that to solve everything else'. Stephen Hawking remarked 'AI could be the biggest event in the history of our civilisation. Or the worst'. Jim argues that AI is a potent new tool that should enhance our lives, not replace us.

In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as 'The Puppetmaster' begins involving them in politics, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster.

There Is Always Something New Happening. So where is our limit? Our artform beatboxing has given so much to the present and has so much more to give in the future. Working in collaboration with Nokia Bell Labs the legendary beatboxer and member of the beatbox community, Reeps One, took a journey of discovery to understand more about the entire art form and how it inspires communities, scientists and engineers.

A comedic, brutally honest documentary following self-destructive TV writer Dan Harmon as he takes his live podcast on a national tour.

On the lookout for polar bears in the Arctic, a wildlife photographer realizes she may have missed more than a shot.

A journey into the world of artificial intelligence, to understand its operating logic and current and future applications. The TV program explains what AI is, its history, its current and future applications. It also illustrates the figure of Pepper, a humanoid robot that is the subject of important research at the University of Palermo. The TV program also talks about future developments of AI, the opportunities and possible social risks that it could entail: an aspect to focus on, both for the need to arrive at a correct algorithm, and to achieve an indispensable regulation of the sector.

Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

2067: Isolation: Japan seals herself off from the eyes of the world in the face of unilateral international policy setting strict limits on the use of robotic technology. The island nation exists only behind a veil of seclusion. No soul shall enter. No soul shall leave. 2077: Revelation: The veil is breached. Japan is infiltrated by agents of the organization S.W.O.R.D., a fighting force operating outside of the protection of the United States and her allies. Their mission: Determine if the Japanese are developing banned robotic bio-technology, forbidden due to its threat to humankind. In the battle between machine and man, humanity stands to suffer most.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

Experimental short from Netflix Anime Creators' Base, AI character development company rinna, and WIT STUDIO. The short utilizes AI assistance in the background art workflow.

A feature length documentary shot in Iceland on mediums and the relationship between humans and invisible beings such as elves ghosts, angels, water monsters and extra-terrestrials. The film is a journey to the frontiers of life questioning the scope of our existence. Are we alone in the universe? If life exists in other dimensions, it's worth knowing more.

In the not-too-distant future, androids have come into common usage. However, treating androids on the same level as humans is frowned upon, and there is constant paranoia surrounding the possibility of robots defying humans, their masters. Those who appear too trustworthy of their androids are chided and labeled as "android-holics". Rikuo Sakisaka, who has taken robots for granted for his entire life, one day discovers that Sammy, his home android, has been acting independently and coming and going on her own. He finds a strange phrase recorded in her activity log, "Are you enjoying the time of EVE?". He, along with his friend Masakazu Masaki, traces Sammy's movements and finds an unusual café. Nagi, the barista, informs them that the café's main rule is to not discriminate between humans and androids. While Rikuo tries to reveal Sammy's intentions, he begins to question the legitimacy of the fear that drives humans to regard androids as nothing more than mere tools.

A musical odyssey about trauma and the retreat of humanity into itself.

The search for René Descartes’ daughter Francine leads an internet user into the depths of an AI’s mental space. This intelligence generates limitless images from words given by humans, until it starts working by itself. An alternative, fleshless new world, containing all the world's memory, emerges.

A.I. guru Ben Goertzel grew up in a hippie community in Oregon during the Vietnam War. Inspired by science fiction, he imagined a perfect rational world that would transcend 1970s’ America. Ben has dedicated his life to developing OpenCog, a software that models the human mind. If Ben’s design works, OpenCog will become a human-like general intelligence. But for OpenCog to work, it needs a body.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Exploring the diaspora and how we exist in the Western landscape, we are on this land that has a colonial agenda. At the beginning of the video, I put traditional paintings depicting the “sublime”- which come from the colonist lens, and then I added AI-generated images to re-catalog my experience living in this country. The keywords I put into the system to AI-generate images are words that are relevant to how I grew up, including pop-culture references, key landscapes from where I grew up, and critical political words- the Taiwanese flag in itself is a highly politicized word.

Dr Hannah Fry and a virtual host present a new way of making television, as the BBC uses artificial intelligence to delve into the treasures of the BBC Archive.

A post-cyberpunk short film featuring Kei, a young programmer who attempts to resurrect their lost mother by coding an A.I. that can input childhood memories with the help of her diary.