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It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Erik likes to have a drink once in a while. The day after a good party, sitting with his girlfriend having a chat, he meets people he doesn't remember. Has he arrived at a crossroads? Is Erik in deeper trouble than usual?

Correspondence between young lovers nearly ends in disaster through a mistake in postal district. Fortunately the GPO spots the error and all ends well, but with the moral that correspondents should get the address right.

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Someone You Love is a story about world famous singer-songwriter Thomas Jacob who lives in Los Angeles. He is a successful man with a lot of burned bridges. After years abroad Thomas travels back to Denmark to record a new album. There his estranged daughter Julie suddenly turns up with his 11-year-old grandson, Noa. Soon, Thomas is forced to take care of the boy. Against all odds the two of them slowly begin to connect through music. But disaster strikes, forcing Thomas to realize he has to make a choice that will change his life forever.

Detectives and best friends Andreas and Simon lead vastly different lives; Andreas has settled down with his beautiful wife and son; while Simon, recently divorced, spends most of his waking hours getting drunk at the local strip club. But all that changes when the two of them are called out to a domestic dispute between a junkie couple, caught in a vicious cycle of violence and drugs. It all looks very routine – until Andreas finds the couple's infant son, crying in a closet. The usually collected policeman finds himself confronted with his own powerlessness and is shaken to his core. As Andreas slowly loses his grip on justice, it suddenly becomes up to the unruly Simon to restore the balance between right and wrong.

A woman arrives in an unknown country at daybreak. She appears to be running away from her past.

Professor Pierre is assigned to find a missing heiress whose fortune will go to a worthless relative if she isn't found. He uses most of his dialect ability in the search by posing as a Chinaman, an Englishman, a sailor and a Scotchman, but is unable to find her. He meets his sweetheart at a restaurant and, there, discovers she is the heiress he has been searching for. She breaks off their romance when she finds out she is rich.

Herrmann is a leftist Thirty Something, who is still politically active, despite beginning to live the usual life of having a girlfriend and a child. On the way to his weekly political meeting he is kidnapped.

On her honeymoon, a young bride sleepwalks into the woods surrounding a secluded cabin. When she returns, she looks the same—but something about her is terrifyingly different.

They Made the Land (1938) is a documentary showcasing how land in Scotland was reclaimed and cultivated for agriculture. It explores the challenges of making a living from the land while highlighting the contributions of agricultural research and animal breeding. Produced as part of a series of seven documentaries for the 1938 Empire Exhibition, the film was created under the supervision of pioneering documentarian John Grierson.

On the verge of a nervous breakdown, a school teacher finds the wisdom she needs in the most unlikeliest of places.

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

A young transgender man explores his gender identity and searches for love in rural Nebraska.

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

The Peanuts gang is nervous about going to a new school, so Lucy starts her own. She soon learns that teaching is tougher than she thought—and that change can be a good thing.

A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.